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Which Male Actor had the best run in the 60s?
It could be the best in terms of anything Paul Newman: The Hustler, Cool Hand Luke, Exodus, From the Terrace, Paris Blues, Hud, Hemingway's Adventures of a Young Man, Sweet Bird of Youth, Harper, Lady L, Hombre, Torn Curtain, Winning, Butch Cassidy and the Sundance Kid, The Secret War of Harry Frigg, The Prize, What a Way to Go!, The Outrage, and A New Kind of Love. Gregory Peck: To Kill a Mockingbird, Mackenna's Gold, The Chairman, Cape Fear, Captain Newman, M.D., How the West Was Won, Behold a Pale Horse, Marooned, Mirage, Arabesque, The Stalking Moon, and The Guns of Navarone. Steve McQueen: The Sand Pebbles, The Great Escape, Love with the Proper Stranger, The Magnificent Seven, The Thomas Crown Affair, The Cincinnati Kid, Bullitt, The Honeymoon Machine, The Honeymoon Machine, The War Lover, Soldier in the Rain, Nevada Smith, Baby the Rain Must Fall, and The Reivers. Dustin Hoffman: The Graduate, Midnight Cowboy, The Tiger Makes Out, Madigan's Millions, and John and Mary. Peter O Toole: Lawrence of Arabia, Becket, The Lion in Winter, Goodbye, Mr. Chips, Kidnapped, The Day They Robbed the Bank of England, The Savage Innocents, What's New Pussycat?, The Sandpiper, Lord Jim, How to Steal a Million, The Bible: In the Beginning..., Casino Royale, The Night of the Generals, and Great Catherine. Henry Fonda: How the West Was Won, Firecreek, Once Upon a Time in the West, Madigan, The Boston Strangler, Fail Safe, Sex and the Single Girl, The Longest Day, Advise & Consent, Spencer's Mountain, The Dirty Game, In Harm's Way, A Big Hand for the Little Lady, Welcome to Hard Times, The Best Man, The Rounders, Battle of the Bulge, and Yours, Mine and Ours. Toshiro Mifune: Shinsengumi, The Battle of the Japan Sea, Red Lion, Safari 5000, Hell in the Pacific, Samurai Banners, The Day the Sun Rose, Admiral Yamamoto, Japan's Longest Day, The Sands of Kurobe, Samurai Rebellion, Grand Prix, The Mad Atlantic, The Adventure of Kigan Castle, Rise Against the Sword, The Sword of Doom, Fort Graveyard, The Retreat from Kiska, Sanshiro Sugata, Samurai Assassin, Red Beard, Legacy of the 500,000, The Lost World of Sinbad, Whirlwind, Chūshingura: Hana no Maki, Yuki no Maki, Attack Squadron!, High and Low, Yojimbo, The Youth and his Amulet, Sanjuro, Tatsu, Three Gentlemen Return from Hong Kong, Salaryman Chushingura Part 1 & 2, The Story of Osaka Castle, The Youth and his Amulet, Ánimas Trujano, The Last Gunfight, The Gambling Samurai, The Bad Sleep Well, Man Against Man, and Storm Over the Pacific. Montgomery Clift: Judgment at Nuremberg, The Misfits, Freud: The Secret Passion, The Defector, and Wild River. Burt Lancaster: Judgment at Nuremberg, Birdman of Alcatraz, Elmer Gantry, Seven Days in May, The Leopard, The Professionals, The Unforgiven, The Young Savages, The List of Adrian Messenger, A Child Is Waiting, The Hallelujah Trail, The Train, The Swimmer, The Scalphunters, Castle Keep, and The Gypsy Moths. Marlon Brando: Mutiny on the Bounty, The Fugitive Kind, One-Eyed Jacks, Morituri, The Chase, Bedtime Story, The Ugly American, Reflections in a Golden Eye, Candy, The Appaloosa, The Night of the Following Day, Burn!, and A Countess from Hong Kong. Tony Curtis: Captain Newman, M.D., The Boston Strangler, Sex and the Single Girl, Spartacus, Pepe, The Rat Race, The Great Impostor, The List of Adrian Messenger, 40 Pounds of Trouble, Paris When It Sizzles, The Outsider, Taras Bulba, Goodbye Charlie, Not with My Wife, You Don't!, The Great Race, Wild and Wonderful, Boeing Boeing, Chamber of Horrors, On My Way to the Crusades, I Met a Girl Who..., Rosemary's Baby, Drop Dead Darling, Don't Make Waves, Monte Carlo or Bust!, and Who Was That Lady?. Robert Redford: The Chase, Tall Story, Situation Hopeless... But Not Serious, War hunt, Inside Daisy Clover, Butch Cassidy and the Sundance Kid, Barefoot in the Park, This Property Is Condemned, Tell Them Willie Boy Is Here, and Downhill Racer. Anthony Perkins: Tall Story, Psycho, The Trial, Phaedra, Pretty Poison, Five Miles to Midnight, Goodbye Again, The Fool Killer, Une ravissante idiote, Le glaive et la balance, The Champagne Murders, and Is Paris Burning?. John Huston: Candy, The List of Adrian Messenger, The Cardinal, Casino Royale, and The Bible: In the Beginning John Wayne: How the West Was Won, The Sons of Katie Elder, The Longest Day, True Grit, El Dorado, Cast a Giant Shadow, The War Wagon, The Green Berets, The Man Who Shot Liberty Valance, Hatari!, North to Alaska, The Alamo, The Comancheros, The Greatest Story Ever Told, Circus World, Hellfighters, and The Undefeated. Jack Lemmon: The Great Race,Pepe, The Apartment, The Wackiest Ship in the Army, The Notorious Landlad, Days of Wine and Roses, Under the Yum Yum Tree, Irma la Douce, How to Murder Your Wife, Good Neighbor Sam, Luv, The Fortune Cookie, The Odd Couple, and The April Fools. Marcello Mastroianni: 8 1/2, La Dolce Vita, La Notte, Yesterday, Today and Tomorrow, Divorce Italian Style, Marriage Italian Style, The 10th Victim, Adua and Her Friends, Il bell'Antonio, Ghosts of Rome, La Notte, Family Diary, Family Diary, The Organizer, Kiss the Other Sheik, Me, Me, Me... and the Others, Casanova 70, Shoot Loud, Louder... I Don't Understand, The Poppy Is Also a Flower, Ghosts – Italian Style, Amanti, Break Up, The Stranger, and Diamonds for Breakfast. James Stewart: How the West Was Won, Firecreek, The Flight of the Phoenix, The Man Who Shot Liberty Valance, Cheyenne Autumn, The Mountain Road, Two Rode Together, Mr. Hobbs Takes a Vacation, Take Her, She's Mine, Shenandoah, Dear Brigitte, Bandolero!, and The Rare Breed. Robert Mitchum: What a Way to Go!, Cape Fear, The Longest Day, El Dorado, Home from the Hill, The Sundowners, A Terrible Beauty, Two for the Seesaw, The Last Time I Saw Archie, The Grass Is Greener, The Way West, Mister Moses, Rampage, Man in the Middle, Anzio, 5 Card Stud, Villa Rides, The Good Guys and the Bad Guys, Secret Ceremony, and Young Billy Young. Robert Duvall: Captain Newman, M.D., True Grit, To Kill a Mockingbird, Bullitt, The Chase, Nightmare in the Sun, Countdown, and The Detective. Jean-Paul Belmondo: Breathless, That Man from Rio, Seven Days... Seven Nights, Trapped by Fear, Classe Tous Risques, The Lovemakers, Two Women, Lettere di una novizia, Love and the Frenchwoman, Le Doulos, Famous Love Affairs, Cartouche, A Man Named Rocca, Mare matto, The Winner, Sweet and Sour, Banana Peel, A Monkey in Winter, Backfire, Greed in the Sun, Weekend at Dunkirk, The Shortest Day, Magnet of Doom, Tender Scoundrel, Is Paris Burning?, Casino Royale, Male Hunt, Crime on a Summer Morning, Pierrot le Fou, Up to His Ears, Ho!, The Brain, Mississippi Mermaid, and Love Is a Funny Thing. Kirk Douglas: Seven Days in May, The List of Adrian Messenger, Spartacus, Is Paris Burning?, The War Wagon, The Way West, Lonely Are the Brave, The Heroes of Telemark, Town Without Pity, The Last Sunset, For Love or Money, The Hook, The Arrangement, The Legend of Silent Night, The Brotherhood, A Lovely Way to Die, and Cast a Giant Shadow. Charles Bronson: The Magnificent Seven, The Great Escape, Battle of the Bulge, Villa Rides, Guns of Diablo, X-15, The Bull of the West, 4 for Texas, Lola, Once Upon a Time in the West, Guns for San Sebastian, The Dirty Dozen, A Thunder of Drums, Kid Galahad, Master of the World, The Sandpiper, This Property Is Condemned, The Meanest Men in the West, and Adieu l'ami. Orson Welles: Casino Royale, Is Paris Burning?, The Trial, Kampf um Rom, The Thirteen Chairs, The Merchant of Venice, Battle of Neretva, Tepepa, The Southern Star, I'll Never Forget What's'isname, A Man for All Seasons, David and Goliath, La Fayette, Austerlitz, Crack in the Mirror, The Tartars, The V.I.P.s, Chimes at Midnight, In the Land of Don Quixote, Marco the Magnificent, House of Cards, The Immortal Story, and Oedipus the King. William Holden: Paris When It Sizzles, The Wild Bunch, The World of Suzie Wong, The Lion, Satan Never Sleeps, The Counterfeit Traitor, Casino Royale, The Devil's Brigade, The 7th Dawn, Alvarez Kelly, and The Christmas Tree. Frank Sinatra: Cast a Giant Shadow, The Detective, 4 for Texas, The Manchurian Candidate, Tony Rome, Pepe, The Devil at 4 O'Clock, The Road to Hong Kong, Sergeants 3, Come Blow Your Horn, None but the Brave, Paris When It Sizzles, Lady in Cement, The Oscar, Assault on a Queen, The Naked Runner, Von Ryan's Express, Marriage on the Rocks, and Robin and the 7 Hoods. Elvis Presley: G.I. Blues, Kid Galahad, Wild in the Country, Follow That Dream, Blue Hawaii, It Happened at the World's Fair, Girls! Girls! Girls!, Fun in Acapulco, Roustabout, Viva Las Vegas, Kissin' Cousins, Frankie and Johnny, Girl Happy, Harum Scarum, Tickle Me, Clambake, Easy Come, Easy Go, Double Trouble, Stay Away, Joe, Live a Little, Love a Little, Speedway, Change of Habit, The Trouble with Girls, Charro!, Spinout, and Paradise, Hawaiian Style. Edmond O'Brien: The Wild Bunch, The Longest Day, The Man Who Shot Liberty Valance, Fantastic Voyage, The Great Impostor, The Last Voyage, The 3rd Voice, Birdman of Alcatraz, Man-Trap, Moon Pilot, Sylvia, Rio Conchos, The Hanged Man, The Outsider, Synanon, The Doomsday Flight, The Love God?, Flesh and Blood, The Viscount, and To Commit a Murder. Ben Johnson: The Wild Bunch, The Rare Breed, The Undefeated, Hang 'Em High, Cheyenne Autumn, Will Penny, One-Eyed Jacks, Ten Who Dared, Tomboy and the Champ, and Major Dundee. Warren Oates: The Wild Bunch, The Rise and Fall of Legs Diamond, The Rounders, Ride the High Country, Private Property, Mail Order Bride, Hero's Island, In the Heat of the Night, Welcome to Hard Times, The Shooting, Return of the Seven, Smith!, Crooks and Coronets, The Split, Something for a Lonely Man, and Lanton Mills. Sidney Poitier: In the Heat of the Night, Lilies of the Field, A Patch of Blue, To Sir, With Love, A Raisin in the Sun, Guess Who's Coming to Dinner, Paris Blues, The Long Ships, Pressure Point,All the Young Men, The Bedford Incident, The Greatest Story Ever Told, The Slender Thread, Duel at Diablo, For Love of Ivy, and The Lost Man. Rod Steiger: The Longest Day, In the Heat of the Night, The Pawn broker, Doctor Zhivago, No Way to Treat a Lady, Three into Two Won't Go, Seven Thieves, The Mark, 13 West Street, World in My Pocket, Convicts 4, Time of Indifference, Hands over the City, A Man Named John, The Loved One, The Girl and the General, The Sergeant, and The Illustrated Man. Ernest Borgnine: The Dirty Dozen, The Wild Bunch, The Legend of Lylah Clare, Pay or Die, The Last Judgment, Barabbas, The Italian Brigands, McHale's Navy, The Flight of the Phoenix, The Oscar, The Split, A Bullet for Sandoval, Ice Station Zebra, Chuka, Go Naked in the World, Black City, and Man on a String. George Kennedy: The Boston Strangler, Charade, Strait-Jacket, McHale's Navy, The Sons of Katie Elder, The Dirty Dozen, Shenandoah, The Flight of the Phoenix, Guns of the Magnificent Seven, The Good Guys and the Bad Guys, Cool Hand Luke, The Little Shepherd of Kingdom Come, The Man from the Diners' Club, The Silent Witness, McHale's Navy, Mirage, Hush...Hush, Sweet Charlotte, Island of the Blue Dolphins, In Harm's Way, Hurry Sundown, Bandolero!, The Ballad of Josie, Gaily, Gaily, and The Pink Jungle. Strother Martin: McLintock!, The Man Who Shot Liberty Valance, Cool Hand Luke, Hurry Sundown, Sanctuary, Shenandoah, Harper, Nevada Smith, The Sons of Katie Elder, The Wild Bunch, Butch Cassidy and the Sundance Kid, True Grit, An Eye for an Eye, The Flim-Flam Man, Showdown, Invitation to a Gunfighter, and The Deadly Companions. Clint Eastwood: The Dollars Trilogy, Hang 'Em High, Where Eagles Dare, The Witches, Coogan's Bluff, and Paint Your Wagon. Eli Wallach: How the West Was Won, The Magnificent Seven, The Misfits, The Tiger Makes Out, Lord Jim, How to Steal a Million, A Lovely Way to Die, Seven Thieves, The Good, the Bad and the Ugly, Genghis Khan, The Poppy Is Also a Flower, How to Save a Marriage and Ruin Your Life, Ace High, Hemingway's Adventures of a Young Man, The Brain, Mackenna's Gold, Kisses for My President, Act One, The Moon-Spinners, and The Victors. Lee Van Cleef: The Man Who Shot Liberty Valance, For a Few Dollars More, The Good, the Bad and the Ugly, Posse from Hell, The Big Gundown, Sabata, Death Rides a Horse, Commandos, Day of Anger, and Beyond the Law. Richard Burton: The Sandpiper, Where Eagles Dare, Ice Palace, The Longest Day, The Bramble Bush, Zulu, Becket, Cleopatra, What's New Pussycat?, The Night of the Iguana, The Spy Who Came In from the Cold, Who's Afraid of Virginia Woolf?, The Taming of the Shrew, Candy, Boom!, The Comedians in Africa, The Comedians, Doctor Faustus, Staircase, and Anne of the Thousand Days. Paul Scofield: A Man for all Seasons, The Train, and Tell Me Lies. Warren Beatty: All Fall Down, Splendor in the Grass, Bonnie and Clyde, Lilith, The Roman Spring of Mrs. Stone, Mickey One, Promise Her Anything, and Kaleidoscope. Albert Finney: Tom Jones, The Entertainer, Saturday Night and Sunday Morning, Two for the Road, The Victors, Night Must Fall, Charlie Bubbles, and The Picasso Summer. Lee Marvin: Hell in the Pacific, The Professionals, The Man Who Shot Liberty Valance, The Comancheros, Paint Your Wagon, Point Blank, The Killers, Donovan's Reef, Cat Ballou, Ship of Fools, Sergeant Ryker, and Hell in the Pacific. Anthony Quinn: Behold a Pale Horse, Barabbas, Zorba the Greek, Lawrence of Arabia, Guns for San Sebastian, The Rover, San Sebastian 1746 in 1968, The Secret of Santa Vittoria, A Dream of Kings, The 25th Hour, The Happening, Lost Command, Marco the Magnificent, The Visit, A High Wind in Jamaica, Heller in Pink Tights, The Savage Innocents, Portrait in Black, The Guns of Navarone, The Magus, and The Shoes of the Fisherman. Michael Caine: Hurry Sundown, The Magus, Zulu, The Ipcress File, Alfie, The Italian Job, Deadfall, Funeral in Berlin, Billion Dollar Brain, Battle of Britain, Gambit, The Wrong Box, Woman Times Seven, Play Dirty, Foxhole in Cairo, Solo for Sparrow, The Wrong Arm of the Law, The Bulldog Breed, and The Day the Earth Caught Fire. Rex Harrison: Cleopatra, My Fair Lady, Doctor Dolittle, The Happy Thieves, Midnight Lace, The Agony and the Ecstasy, The Yellow Rolls-Royce, Staircase, The Honey Pot, and A Flea in Her Ear. Sean Connery: The Longest Day, Dr. No, Marnie, Goldfinger, From Russia with Love, Macbeth, The Frightened City, On the Fiddle, Anna Karenina, Shalako, The Red Tent, You Only Live Twice, Un monde nouveau, The Hill, A Fine Madness, Thunderball, Woman of Straw, and The Bowler and the Bunnet. Spencer Tracy: Judgment at Nuremberg, Guess Who's Coming to Dinner, Inherit the Wind, The Devil at 4 O'Clock, and It's a Mad, Mad, Mad, Mad World. Chishû Ryû: Late Autumn, Otoko wa Tsurai yo, The Human Bullet, Japan's Longest Day, The End of Summer, An Autumn Afternoon, The Human Condition 3, and The Last War. Martin Balsam: Psycho, A Thousand Clowns, Trilogy, The Good Guys and the Bad Guys, Around the World of Mike Todd, Me, Natalie, Around the World of Mike Todd, Hombre, Among the Paths to Eden, After the Fox, Harlow, The Bedford Incident, Seven Days in May, Suspense, Youngblood Hawke, Everybody Go Home, Breakfast at Tiffany's, Ada, Cape Fear, Route 66, and Who's Been Sleeping in My Bed?. Alan Bates: Zorba the Greek, Georgy Girl, Far from the Madding Crowd, Women in Love, King of Hearts, The Fixer, The Entertainer, Zorba the Greek, Nothing but the Best, Whistle Down the Wind, A Kind of Loving, The Caretaker, and The Running Man. Alain Delon: Is Paris Burning?, Famous Love Affairs, Rocco and His Brothers, Purple Noon, The Leopard, Le Samouraï, The Yellow Rolls-Royce, Lost Command, L'Eclisse, The Joy of Living, The Devil and the Ten Commandments, Love at Sea, Carom Shots, Any Number Can Win, Joy House, The Unvanquished, Once a Thief, Texas Across the River, Adieu l'ami, Jeff, The Sicilian Clan, La Piscine, Spirits of the Dead, The Girl on a Motorcycle, The Last Adventure, and Diabolically Yours. Peter Sellers: What's New Pussycat?, Casino Royale, Woman Times Seven, Dr. Strangelove, Lolita, The Millionairess, Never Let Go, Two-Way Stretch, The Wrong Arm of the Law, The Dock Brief, The Pink Panther, Only Two Can Play, Mr. Topaze, Waltz of the Toreadors, Heavens Above!, A Shot in the Dark, The World of Henry Orient, A Carol for Another Christmas, Casino Royale, Woman Times Seven, The bobo, The Party, The Magic Christian, and I Love You, Alice B. Toklas. George C. Scott: The List of Adrian Messenger, The Hustler, Not with My Wife, You Don't!, The Flim-Flam Man, Dr. Strangelove, The Power and the Glory, The Crucible, The Yellow Rolls-Royce, The Bible: In the Beginning..., This Savage Land, and Petulia. Walter Matthau: Charade, Fail Safe, The Fortune Cookie, The Odd Couple, Strangers When We Meet, Lonely Are the Brave, Mirage, Ensign Pulver, Island of Love, Who's Got the Action?, Candy, Cactus Flower, Hello, Dolly!, The Secret Life of an American Wife, and A Guide for the Married Man. Jean-Louis Trintignant: Z, A Man and a Woman, The Great Silence, Austerlitz, Horace 62, Un homme à abattre, La Longue marche, Trans-Europ-Express, Le Combat dans l'île, So Sweet... So Perverse, L'Américain, Mata Hari, Agent H21, Journey Beneath the Desert, Il Sorpasso, Col cuore in gola, Death Laid an Egg, Les Biches, My Love, My Love, The Man Who Lies, Metti, una sera a cena, My Night at Maud's, The Libertine, The Sleeping Car Murders, Diamond Safari, Spotlight on a Murderer, Nutty, and Naughty Chateau. Max von Sydow: The Greatest Story Ever Told, Shame, Hour of the Wolf, The Virgin Spring, Through a Glass Darkly, Bröllopsdagen, 4x4, Winter Light, Hawaii, Adventures of Nils Holgersson, The Mistress, Made in Sweden, The Passion of Anna, The Quiller Memorandum, Svarta palmkronor, The Reward, and Here Is Your Life. Richard Attenborough: The Sand Pebbles, The Great Escape, Doctor Dolittle, The Angry Silence, Upgreen – And at 'Em, The Dock Brief, Only Two Can Play, The League of Gentlemen, All Night Long, Séance on a Wet Afternoon, The Third Secret, The Flight of the Phoenix, Only When I Larf, Guns at Batasi, The Magic Christian, Oh! What a Lovely War, and The Bliss of Mrs. Blossom. Melvyn Douglas: Hud, Hotel, The Crucible, Companions in Nightmare, Rapture, Inherit the Wind, Lamp At Midnight, Advance to the Rear, A Very Close Family, The Americanization of Emily, and Billy Budd. Woody Strode: Spartacus, The Man Who Shot Liberty Valance, Sergeant Rutledge, The Last Voyage, Two Rode Together, The Sins of Rachel Cade, Che!, Once Upon a Time in the West, Boot Hill, Genghis Khan, Shalako, Black Jesus, The Professionals, Tarzan's Three Challenges, and 7 Women. Yûsuke Kawazu: The River Fuefuki, Ken, Manji, Kiri no Hata, Cruel Story of Youth, Genocide, Fighting Elegy, and Black Lizard. John Cassavetes: The Dirty Dozen, Rosemary's Baby, A Child Is Waiting, The Killers, Devil's Angels, Roma come Chicago, If It's Tuesday, This Must Be Belgium, Machine Gun McCain, and The Webster Boy. Laurence Harvey: The Outrage, Kampf um Rom, The Manchurian Candidate, The Ceremony, The Alamo, The Long and the Short and the Tall, BUtterfield 8, Walk on the Wild Side, The Wonderful World of the Brothers Grimm, The Running Man, A Girl Named Tamiko, Darling, Of Human Bondage, Summer and Smoke, Two Loves, The Doctor and the Devil, Rebus, The Spy with a Cold Nose, The Magic Christian, L'assoluto naturale, The Charge of the Light Brigade, A Dandy in Aspic, Life at the Top, The Outrage, and The Winter's Tale. Omar Sharif: Mackenna's Gold, Behold a Pale Horse, Lawrence of Arabia, Doctor Zhivago, The Poppy Is Also a Flower, The Fall of the Roman Empire, Funny Girl, More Than a Miracle, Che!, Mayerling, Trois hommes sur un cheval, The Appointment, Genghis Khan, The Yellow Rolls-Royce, El mamalik, The Night of the Generals, Lawet El Hub, Nahna el talamiza, Gharam el assiad, Hobi al-Wahid, The Beginning and the End, The River of Love, A Rumor of Love, and There is a Man in our House. George Peppard: How the West Was Won, Breakfast at Tiffany's, The Carpetbaggers, House of Cards, Home from the Hill, The Victors, The Subterraneans, P.J.,What's So Bad About Feeling Good?, Pendulum, Operation Crossbow, The Third Day, Tobruk, Rough Night in Jericho, and The Blue Max. James Garner: The Great Escape, Grand Prix, Duel at Diablo, 36 Hours, The Pink Jungle, A High Wind in Jamaica,Hour of the Gun, The Americanization of Emily, Cash McCall, The Children's Hour, Boys' Night Out, Action on the Beach, The Art of Love, Grand Prix: Challenge of the Champions, The Thrill of It All, Move Over, Darling, The Wheeler Dealers, Marlowe, Support Your Local Sheriff!, The Man Who Makes the Difference, Once Upon a Wheel, The Racing Scene, A Man Could Get Killed, How Sweet It Is!, and Mister Buddwing. Donald Pleasence: The Great Escape, The Night of the Generals, You Only Live Twice, Creature of Comfort, Will Penny, Fantastic Voyage, The Greatest Story Ever Told, The Hallelujah Trail, The Caretaker, Suspect, No Love for Johnnie, The Shakedown, The Flesh and the Fiends, The Hands of Orlac, Hell Is a City, The Wind of Change, Circus of Horrors, Sons and Lovers, The Big Day, Dr. Crippen, Cul-de-sac, The Inspector, What a Carve Up!, Eye of the Devil, Matchless, Arthur? Arthur!, The Other People, The Madwoman of Chaillot, A Story of David, and Spare the Rod. James Coburn: Charade, The Americanization of Emily, The Magnificent Seven, Hell Is for Heroes, The Great Escape, Our Man Flint, In Like Flint, The Man from Galveston, The Murder Men, Hell Is for Heroes, What Did You Do in the War, Daddy?, Duffy, Candy, The President's Analyst, Dead Heat on a Merry-Go-Round, Waterhole No. 3, Major Dundee, A High Wind in Jamaica, The Loved One, and Hard Contract. Cary Grant: Charade, The Grass Is Greener, That Touch of Mink, Walk, Don't Run, and Father Goose. Horst Buchholz: The Magnificent Seven, One, Two, Three, Fanny, Nine Hours to Rama, Marco the Magnificent, The Empty Canvas, Ankle Bone, Cervantes, That Man in Istanbul, Johnny Banco, and How, When and with Whom. Jackie Gleason: Soldier in the Rain, The Hustler, Gigot, Requiem for a Heavyweight, Skidoo, Papa's Delicate Condition, How to Commit Marriage, and Don't Drink the Water. Arthur Kennedy: Lawrence of Arabia, Barabbas, Hemingway's Adventures of a Young Man, Claudelle Inglish, Cheyenne Autumn, Murder, She Said, Anzio, Shark!, A Minute to Pray, a Second to Die, Hail, Hero!, Nevada Smith,Murieta, Fantastic Voyage, Attack and Retreat, Joy in the Morning, Monday's Child, and Day of the Evil Gun. Peter Finch: Kidnapped, The Trials of Oscar Wilde, The Day, No Love for Johnnie, In the Cool of the Day, I Thank a Fool, Girl with Green Eyes, The Pumpkin Eater, The Flight of the Phoenix, Judith, First Men in the Moon, Far from the Madding Crowd, 10:30 P.M. Summer, Come Spy with Me, The Greatest Mother of Them All, The Legend of Lylah Clare, and The Red Tent. Hugh Griffith: How to Steal a Million,Exodus, Mutiny on the Bounty, Oliver!, The Counterfeit Traitor, The Citadel, Point of Departure, The Day They Robbed the Bank of England, The Inspector, Tom Jones, Term of Trial, The Poppy Is Also a Flower, Hide and Seek, The Bargee, The Amorous Adventures of Moll Flanders, On My Way to the Crusades, I Met a Girl Who..., Oh Dad, Poor Dad, Mamma's Hung You in the Closet and I'm Feelin' So Sad, The Sailor from Gibraltar, The Fixer, Il marito è mio e l'ammazzo quando mi pare, and Brown Eye, Evil Eye. Jason Robards: A Big Hand for the Little Lady, Hour of the Gun, Long Day's Journey into Night, A Thousand Clowns, Act One, By Love Possessed, Isadora, Tender Is the Night, Divorce American Style, A Big Hand for the Little Lady, The St. Valentine's Day Massacre, Any Wednesday, Once Upon a Time in the West, and The Night They Raided Minsky's. George Seagel: The Southern Star, No Way to Treat a Lady, Invitation to a Gunfighter, Who's Afraid of Virginia Woolf?, Lost Command, The Quiller Memorandum, The St. Valentine's Day Massacre, King Rat, Act One, The Young Doctors, The Bridge at Remagen, The Girl Who Couldn't Say No, Bye Bye Braverman, and The New Interns. Rod Taylor: Chuka, The Time Machine, Sunday in New York, The Glass Bottom Boat, 36 Hours, The Birds, Hotel, Nobody Runs Forever, The Hell with Heroes, One Hundred and One Dalmatians, Seven Seas to Calais, Colossus and the Amazon Queen, Dark of the Sun, The Liquidator, Young Cassidy, Fate Is the Hunter, Do Not Disturb, and A Gathering of Eagles. Robert Ryan: Ice Palace, Billy Budd, The Longest Day, The Wild Bunch, The Dirty Dozen, Battle of the Bulge, The Professionals, Anzio, Captain Nemo and the Underwater City, A Minute to Pray, a Second to Die, Hour of the Gun, Custer of the West, The Busy Body, The Canadians, King of Kings, and The Crooked Road. Christopher Plummer: Battle of Britain, The Sound of Music, The Fall of the Roman Empire, Inside Daisy Clover, The Royal Hunt of the Sun, Lock Up Your Daughters, Nobody Runs Forever, Oedipus the King, The Night of the Generals, and Triple Cross. Michel Piccoli: Le Doulos, Contempt, Diary of a Chambermaid, La Guerre Est Finit, Les Creatures, The Young Girls of Rochefort, Belle De Jour, Danger: Diabolik, Dillinger is Dead, The Milky Way, Topaz, Lady L, The Day and the Hour, Masquerade, L'Invitée, Climats, Les Petits Drames, Adieu Philippine, La dragée haute, Le Bal des espions, Amazons of Rome, All About Loving, The Sleeping Car Murders, The War Is Over, The Game Is Over, Belle de Jour, Benjamin, Shock Troops, La Chamade, and La Prisonnière. Tatsuya Nakadai: When a Woman Ascends the Stairs, Yojimbo,The Human Condition: A Soldier's Prayer, Immortal Love, Sanjuro, Harakiri ,High and Low, Kwaidan, The Sword of Doom, The Face of Another, Samurai Rebellion, Kill!, Goyokin, Portrait of Hell, Get 'em All, Daughters, Wives and a Mother ,Miren, A Woman's Life, Pressure of Guilt, Love Under the Crucifix, The Blue Beast, The Other Women, Kumo ga chigieru toki, Hakari, The Legacy of the 500,000, Saigo no shinpan, Blood End, Arijigoku sakusen, Kwaidan, Saigo no shinpan, Fort Graveyard, Cash Calls Hell, Illusion of Blood, Kojiro, The Age of Assassins, The Daphne, Today We Kill... Tomorrow We Die!, Rengō Kantai Shirei Chōkan: Yamamoto Isoroku, Blood End, Hitokiri, Eiko's 5000 Kilograms, and The Battle of the Japan Sea. James Mason: Lolita, Duffy, Mayerling, The Sea Gull, Age of Consent, The Blue Max, Stranger in the House, The Deadly Affair, Georgy Girl, The Fall of the Roman Empire, The Pumpkin Eater, Genghis Khan, Lord Jim, The Uninhibited, Hero's Island, Torpedo Bay, Tiara Tahiti, The Trials of Oscar Wilde, The Marriage-Go-Round, and Escape from Zahrain. Vincent Price: The Last Man on Earth, Witchfinder General, Convicts 4, Confessions of an Opium Eater, Tower of London, Tales of Terror, The Raven, Diary of a Madman, The Haunted Palace, The Masque of the Red Death, The Tomb of Ligeia, Twice-Told Tales, Dr. Goldfoot and the Bikini Machine, The Comedy of Terrors, City Under the Sea, The House of 1,000 Dolls, The Pit and the Pendulum, Nefertiti, Queen of the Nile, Rage of the Buccaneers, Beach Party, House of Usher, Master of the World, Dr. Goldfoot and the Girl Bombs, Spirits of the Dead, The Trouble with Girls, The Jackals, More Dead Than Alive, and The Oblong Box. Jack Nicholson: The Raven, Easy Rider, The Little Shop of Horrors, The Shooting, Head, Hells Angels on Wheels, The Trip, The St. Valentine's Day Massacre, Psych-Out, Thunder Island, Back Door to Hell, Ride in the Whirlwind, Flight to Fury, The Wild Ride, The Broken Land, Studs Lonigan, Too Soon to Love, and The Terror. Rock Hudson: Lover Come Back, Send Me No Flowers, The Last Sunset, Marilyn, The Spiral Road, Come September, Strange Bedfellows, Man's Favorite Sport?, A Gathering of Eagles, A Very Special Favor, Seconds, Tobruk, Ice Station Zebra, The Undefeated, Blindfold, and A Fine Pair. Charlton Heston: El Cid, The Pigeon That Took Rome, 55 Days at Peking, The Greatest Story Ever Told, While I Run This Race, All About People, The Agony and the Ecstasy, Number One, Planet of the Apes, Counterpoint, Will Penny, Major Dundee, Khartoum, The War Lord, The Five Cities of June, and Diamond Head. John Gavin: Psycho, Midnight Lace, Back Street, The Madwoman of Chaillot, Thoroughly Modern Millie, OSS 117 – Double Agent, Tammy Tell Me True, Spartacus, Pedro Páramo, A Breath of Scandal, and Romanoff and Juliet. Stephen Boyd: Lisa, Billy Rose's Jumbo, Fantastic Voyage, The Poppy Is Also a Flower, The Big Gamble, Slaves, The Caper of the Golden Bulls, Shalako, Assignment K, The Bible: In the Beginning..., The Fall of the Roman Empire, Genghis Khan, The Oscar, The Third Secret, and Imperial Venus.
My sister is downtown hearing gunshots running for her life and there is no news coverage what the fuck is going on down there ROUTE 91 HARVEST FESTIVAL A video of the concert being interrupted by gunshots. 9:34AM 10/2/2017 MOVING EDITS UP HERE TO THE TOP. IF YOU ARE LOOKING FOR A LOVED ONE: 1-866-535-5654 FAMILY REUNIFICATION CENTER: Metro Headquarters at 400 South MLK Blvd Building B Donate blood at United Blood Services at 6930 W Charleston or 601 Whitney Ranch Dr. PLEASE DONATE BLOOD. Confirmed info: One shooter , 64 year old man , shot from the 32nd floor of the Mandalay Bay into the festival. He then turned the gun on himself after 10-15 minutes of shooting. He has 8-10+ rifles in the room with him. Man is from Mesquite (not Las Vegas) , Nevada , and is said to have operated alone. The alleged man with a rifle walking in the Bellagio employee entrance was CONFIRMED TRUE, it was a good Samaritan, trying to help, in the least helpful way. The man just had his guns on him , and took of to try and save lives. The thoughts were right, the process was not. Reports of gunfire from anywhere BUT the Mandalay Bay are false, all shots originated from the Mandalay. Again: Shooter acted alone, and it is believed his girlfriend was not involved. As of right now, 9:39am the casualties are 58 people killed, and 500+ injured, in the deadliest Mass Shooting in American history. There are plenty of videos of the gunfire, before during and after, however I do not feel the need to keep linking them here. Thank you everyone for your thoughts, prayers and compliments. I do not see myself a hero im just a 19 year old kid he needed his sister alive and home, though there were many REAL heroes on the strip last night, people assisting in loading the injured to hospitals, officers and LVMPD and LVPD came together to neutralize any threats, and save as many people as we could. This is a tragic day I will certainly never forget, and I urge everyone to fully read my live edits below, as even now as I look back through them, it still scares me to relive the panic I was in trying to locate my sister. I might reiterate my story and my sisters below, but don't count on it yet. There is a lot more to her story and I'm not fully willing to ask her if I can tell the whole world about it. Lastly, I'd like to comment on my lack of confirm able information: Anything I said was "CONFIRMED" was information I was hearing off the Police Scanner, or information off the news. Much of this was later unconfirmed, but during the live events I felt it was best to be posting ALL information from the event so that if anything was true, people would know where NOT to go. The Rifleman in Bellagio was true, and I didn't want anyone running there, even though the guy wasn't involved. I was doing my best to condense as much information as I could, and i was not totally accurate. To those saying: "don't post the live details of police" I really don't think if you're the shooter(s) in this event, the first thing you're doing is updating Reddit, but if youre being shot at, you might be checking Reddit for a "what the fuck where do i go whats going on" update. ( First gun shots were 10:08 PM. I believe this post was at 10:11 PM, it was posted before officers arrived, and before there was anything on the Scanners. First EDIT was around 10:17 or 10:18, and the edits there after were about a minute apart until the 10:29 Edit where i started using Timestamps. ) EDIT: SAYING IN MANDALAY HOTEL ROOM SHOOTING DOWN EDIT: SISTER SAYING GUNSHOTS HAVE SLOWED/STOPPED. EDIT: POLICE SCANNER SAYING MULTIPLE DOWN/DEAD. FOX5 REPORTING ACTIVE SHOOTER. 32nd FLOOR MANADLAY SECURITY GUARD SHOT. 32ND FLOOR OF MANDALAY OF POLICE SCANNER 29-32ND FLOORS 10:29 : POLICE SCANNER 2-4 SHOOTERS SOME OFFICERS PINNED DOWN 10:30 MY SISTER SAYS A TRUCK RAN THRU THE AIRPORT GATE SHE IS NOW ON THE TARP RUNNING TO SUNRISE HOSPITAL AT THE AIRPORT 10:31 POLICE SCANNER TALKING PEOPLE RUNNING THRU MCARREN ON THE RUNWAY (my FUCKING SISTER) 10:32 POLICE SCANNER TRUCKS LOADING PEOPLE INJURED TO HOSPITAL. BLACK CHEVY?? 10:34 WHY THE FUCK ISNT THE NEWW COVERING THIS 10:35 POLICE AT CONVENTION CENTER MOVING TO FIRST FLOOR 10:35 FOX NEWS SHOWS FUCK TON AMBULANXES AND POLICE. POSSIBKE ACTIVE SHOOTER. POSSIBLE MULTIPLE FATALITIES 10:35 VEGAS BLVD CLOSED. 10:38 POLICE SCANNER SYAS NO SHOTS 10-15 MINUTES 10:40 FOX 5 CONFIRMED 1 ACTIVE SHOOTER, UNCONFIRMED 2+ SHOOTERS 10:42 MOTEL 6 ON TROP OLDER WHITE MALE WENT INTO MOBILE HOME TROPICANA MOTEL 6 STAY AWAY COBALT AND TROPICANA WHITE RV WHITE MALE WITH A BLACK BAG 10:45 NORTHERN MOST ROOM OF 32ND ROOM MANDALAY BAY 10:47 SCANNER SAYS TWO SCENES. INJURED PERSONEL 10:49 RENO AND TROP 10:51 NSFW VIDEO SOUND OF THE SHOTS https://youtu.be/bobkg9-hGtE 10:53 CONFIRM TWO SHOOTING MANADALAY AND PARKIGN GARAGE?? 10:55 NO GUNSHOTS AT LUXOR CONFIRMED. MY SISTER IS AT THE AIRPORT 10:56 SCANNER KEEPS COMFIRMING MANY SHOT MANY INJURED 10:59 at least 8 critical injuries on scanner in last T minutes. Many going to Sunrise Hospital 11:00 2 LOCATIONS CONFIRMED AT MANDALAY BAY AND ALI BABA 11:02 so many injuries being confirmed on the scanner. 11:03 FOX5 News says All clubs are closed and locked down. My sister is MGM employee her boss says ALL MGM properties ( all the strip really ) is on LOCKDOWN. STAY SAFE PLEASE 11:05 scanner just said 3 shooters UNCONFIRMED. HACIENDA AND TROP/ VEGAS ?? Has bodies / shooters. Not sure when last shots were fired. Tropicana Offramp Is CLOSED 11:06 so many fucking injuries being reported. SCanner says multiple 419's? Scanner saying DO NOT WORRY ABOUT INJURED, NEUTRALIZE THREAT. WHITE CAR DRIVING DOWN VEGAS TOWARS MANDALAY 11:07 OFFICERS OUTSIDE ALLEGED SHOOTER ROOM AT MANDALAY. SO MANY INJURED BEING REPORTED. 11:09 FOX JUSTSHOWED VIDEO OF THENSHOTS. LIKE 80 SHOTS FIRED, PROBABLY RELOADED TWICE , SOUNDED AUTOMATIC 11:11 VIDEO BEFORE AND DURING SHOOTING HOLY SHIT. https://twitter.com/davidsakach/status/914730995147870208 11:13 NYNY SHOOTER IS HEADING TO THE EXCALIBUR 11:13 my sister saying airport feeling unsafe maybe more gunmen fuck fuck fuck 11:15 HEARING MORE SHOTS MORE SHOOTERS MANDALAY BAY. ALI BARA. NYNY GOING TO EXCALIBUR. 11:16 BLACK DUALIE POSSIBLE CHEVY RIPPED OUT OF EXCALIBUR. PLEASE BE SAFE GUYS 11:17 SAYING LUXOR I AM READING ALL COMMENTS AND ADDING TOCTHOS PLEASE KEEP COMMENTING HELP ME KEEP PEOPLE SAFE 11:19 KEEP SAYING MORE SHOOTERS PLEASE BE SAFE 11:20 TROPICANA 11:22 STRIKE TEAMS CLEARING MANDALAY 32 29 and CASINO FLOORS. Teams on starwells 11:24 UNCONFIRMED SUSPEDT DOWN MANDALAY BAY 11:25 WHITE RV ON SCANNER AGAIN 11:26 REDDIT LIVE THREAD IS UP BUT IM STILL UPDATING POLICE SCANNER AND MY FUCKING SISTER 11:26 MANY CALLS FOR MEDICAL STILL 11:28 ONE SHOOTER FOUND DEAD MANDALAY ?? FOUND ?? 11:30 IM LOSING SCANNER. GOING FROM COMMENTS FOR NOW. SISTER MOVING FURTHER INTO AIRPORT. NEWS KEEPS SAYING ONE SHOOTER BUT SCANNER CONFIRMING WAY MORE 11:34 UNCONFIRMED SHOTS AT PARIS. MEDICS BEING SHOT AT TROPICANA. 11:37 CAESAR AND BELLAGIO MAYBE 11:39 SHOTS CONFIRMED EVERYWHERE. ALSO COMFIRMED NO SHOTS ANYWHERE. CHAOS PEOPLE. ITS CHAOS. ASSUME SHOTS EVERYWHERE STAY SAFE. outside world , assume shots only Mandalay Ali baba and Tropicana. Maybe NYNY and maybe Excalibur 11:41 LOTS OF MISINFO. SCANNER CONFIRM NO SHOTS NYNY BUT SHELTER IN PLACE. NO SHOTS NY NY 11:42 MAN WITH RIFLE ENTERS BELLAGIO. CONFIRMED POLICE SCANNER. 11:44 BELLAGIO EMPLOYEE ENTRANCE RIFLE CONFIRMED. 11:46 I'm hearing way less injury , way more negative gunshots. 11:47 I AM LEAVING I AM GOING TO GET MY FUCKING SISTER. I CAN NO LONGER UPDATE. PLEASE BE SAFE GUYS Freeways are dead, cops all over. UPDATE 12:15 215 IS CLOSED BY AIRPORT FUCK OP is wlive. Got my sister. OP is home and safe. One suspect down. Two dead. 1:34 METRO PRESS CONFERENCE. 20+ DEAD. 100+ INJURED. TWO SUSPECTS DEAD ONE DETAINED. ONE POC. ALL THREATS ARE REPORTED NEUTRALIZED. My story: sister was 20 ft from the stage, texted us immediately "gunshots." She hid behind a bar, had ricochets hitting the bar, thought shooter was on floor coming closer. She ran out, someone hooked their truck to a fence and pulled it down. She jump through the fence with her boyfriend , and they ran to a private airport thing. Stole a golf cart, got a bunch of people to safety. I left to get her , she made it to just north of McCarran airport , I broke some laws to get there , but pulled in and grabbed my sister her boyfriend , his aunt and 4 other girls piled into my car. One girl was shot in the leg . Dropped the 4 girls off with a friend of theirs at the airport, drove to fire station 19 and dropped his aunt with his uncle there. Drove home , and currently am at home. That's the jist. I may update more details. I am a 19 year old UNLV student. She is 21. Thank you everyone for your kind words and helping the information flow. I apologize for inaccuracies throughout the night and I'm just glad it's all over. Goodnight everyone. See you in class tomorrow ! 9:04am : I'm awake now, reading some comments and replying. I've calmed down quite a bit , but what a stressful night. I'll update with any confirmed info I can find 9:34am: Moving edits to the top now.
Email I received this morning: Dear Caesars Rewards Member, For the well-being of our valued guests and team members, all Caesars Entertainment properties in the state of Nevada will be closing temporarily. Earlier today, the Governor of Nevada, Steve Sisolak ordered all Nevada casinos to suspend gambling and hotel operations through April 16th, 2020, as a precautionary measure due to the COVID-19 pandemic. This includes: Las Vegas: Harrah’s Las Vegas, Rio, Caesars Palace, Bally’s, Flamingo, Linq, Paris, Cromwell, and Planet Hollywood Lake Tahoe: Harrah’s Lake Tahoe, Harveys Lake Tahoe Laughlin: Harrah’s Laughlin Reno: Harrah’s Reno All hotel reservations from Wednesday, March 18 - Thursday, April 16, 2020 will be cancelled. Any prepayments will be refunded within the next few days. Please visit us online at: caesars.com/updates for more information. Caesars Entertainment will monitor the evolving situation and work with our local officials on a confirmed reopening date. Thank you for your continued loyalty and we look forward to serving you in the near future. Our team wishes you stay safe and well during this time.
The year is 2016, Alex Turner has returned home from 30th birthday celebrations to discover a brand-new Steinway Vetregrand piano. It was a gift from his manager, and it opened a whole new world for him. “Looking back now it seems really... significant. It changed everything really.” He states about it within an interview from Mojo Magazine. He was correct. The piano sparked everything to life becoming the “centre of the universe” for the album. Guitars were just not giving him ideas anymore, but the piano was. Stored in a spare bedroom within his LA home, this became “The Lunar Surface” his almost makeshift recording studio. The name coming from the theory that Stanley Kubrick faked the moon landing. Alex even stating to Radio X that, “It was amusing to say, “I’m going down to the Lunar Surface.”” The makeshift studio also helped shape the album title, it was “instrumental” to the process. But the piano wasn’t the only thing within the makeshift studio. There was a drum kit, a Vox Continental organ, and a Tascam 388 eight-track recorder. The eight-track recorder would serve as a substantial part in making the album. “I sat with all my instruments and recorded the songs into the machine. That way, I could hear everything at once, whereas in the past it was all in my imagination until I could play the songs with the band.” He also considered it “a writing tool” as much as a recording tool. Working in isolation, he recorded tapes that would later remain on the record in forms of elements such as vocals and various instrumental parts. The eight-track even served as part of the album cover with the “lobby model” of the Hotel + Casino sitting overtop of it, with an earlier version of the record as the tape on it. The model itself was constructed by Turner. The model itself was birthed from the album title and the fact that this is the 6th Arctic Monkeys album. Thus, explaining the hexagon imagery, 1 side per album. The model first started as cardboard, left over scraps from this model can be seen in a photo from inside the Lunar Surface shot by Zackery Michael. Then it was built more and more until we arrived at the model showcased on the album’s cover. The model has a rotating sign bit that was inspired by the House of Pies rotating sign.
VOX, LA FRETTE, & BRINGING IT TOGETHER (Enter the Others)
Upon assembling some of the track, Alex took them to fellow bandmate, guitarist Jamie Cook. Jamie is considered the “gatekeeper” to band, almost like the human bullshit meter. Alex almost feared that he would underwhelmed with it. But Jamie was the one told Alex, “This is definitely what we should be doing.” This led to the pair adding guitar parts to the songs. The majority of these, like the demo tape vocals, stuck with the album. From here they took the album to Vox Recording Studios on Melrose Ave. in LA, in May 2017. This is where the first full band sessions were recorded. Some of the “more interesting” keyboard sounds within the album came from these sessions. But this did not really work out for the band. So, later in September, the band went to La Frette Studios, a residential recording studio on the outskirts of Paris. This was where the album really came together. The band spent about 5-6 weeks recording here. This was Jamie’s idea. La Frette ended up seeing the band bring in an extra 9 musicians to play with them. This also led to a ‘Pet Sounds’ style of recording. This was a large ensemble recording style with these multiple musicians and the band themselves on multiple different instruments including multiple of the same type. So, 2 drum kits, 3 guitars, a couple of pianos. This did not work for every track but did work for a few. (Specifically, The Ultracheese, but I will talk about this more later) Alex stated to BBC Radio 1 that, “A lot of the energy I feel like came from that session. It was all like together in La Frette.” Some of the La Frette sessions can be seen in the Warp Speed Chic short film shot by Ben Chappell.
THE ALBUM (Natural Progression and Influences)
The album overall is 11 tracks. Many believe that the album is a concept album revolving around the Hotel + Casino, but that is not the case. Each one is a “short story” in the words of Turner. Four Out Of Five and the title tracking being the most connected of the collection. "But in other ways it does seem like a collection of short stories and we named the collection after one of the stories which is this one [Tranquility Base Hotel + Casino]. The other ones belong in the same place as this." (Radio X Track by Track interview). The title of the album itself came from a variety of things. The two most prominent being: the fact it is a “place”, and the location of the Apollo 11 moon landing. One thing should be known about the idea of the hotel and casino being a place, Turner loves to think of albums of places. “I think of some of my favorite records as places that you can go and stay for a while, and sort of spurred me on to give this record the name of a place.” (iHeart) The other part of the name itself coming from the Apollo 11 landing may be considered more interesting. This is due to the fact it may have come from cups themed with the lunar landing. The title of course is not the only interesting thing about the album. The sound itself is a departure from their last, AM. But the band all feel like this was natural progression. But the AM era was where they felt they had went a little too far. Bassist Nick O’Malley told Mojo Magazine that he felt that they had lost the “realness” in a sense with that era. “I think we'd gone as far as we could go. I had these crazy ‘80s hair metal leggings on-stag. I'd worn ‘em on Halloween, which I'd done dressed as Macho Man Randy Savage, the WWF wrestler. That was a big sign that it was time to have a break.” And with that they took a break, a five year long one. Turner himself was also aware that he could not do what he did on AM again, “I was aware of the idea that, I don’t think I could have been singing about the things I was singing about on AM anymore.” (Studio Brussels) This was not the first time the band has faced this “challenge” of switching it up. The same thing had happened with their 3rd album Humbug. Drummer Matt Helders states, “We’ve had that challenge before, after the first album success where we had to just get on and make the second, or else forever be dwelling on it. But this one didn’t feel like that. I mean, maybe there’ll be fans we gained from AM that will be a bit confused now. Like, that was their first experience of the band... ‘and now they’re going this?’” (Mojo Magazine) But the band did not want to make AM 2.0. Guitarist Jamie Cook stated to Mojo Magazine, “If we were worried about that we would never have made Humbug. And to disappear for a couple of years then come back with AM2? I think people have been, ‘Fuck off.’” But of course, this move was not met without criticism. Many fans and critics found themselves in a state of “What the fuck happened to Arctic Monkeys?” upon their new era and album due to the departure of sound from AM. But Turner himself does not see this a full-fledged departure, “There’s an idea that this album’s radically removed from where we’ve been. I can sort of see that, but I don’t think it’s as much of a move as people suggest.” (LA Times) The album takes multiple film influences, science fiction influences, and musical influences from film scores to help make these “short stories”. Science Fiction inspired Turner to explore other worlds to create the album. Worlds he made up as he went along. Three films from Jean-Pierre Melville served as main influences on the album. The films being Un Flic, Le Cercle Rouge, and Le Samouraï. The films mostly center around a jazz club. The set interiors of these films piqued Turner’s interest. “So, when I would sit at the piano and play these types of chords, I was thinking about those Melville interiors a lot.” (Pitchfork) Overall, the sci-fi influenced led to Turner accessing sort of a “vocabulary” to say, that helped paint this picture of this hotel and casino on the moon. The album also has this “magic” that they just could not get upon other recording sessions. This led to many of the demo tapes and early session elements making it to the file cut. They wanted to make an intimate experience but just could not get it to be as intimate as some of the early recording. The album itself is also “autobiographical” in a sense. Turner sees it as him talking to himself all throughout the 11 tracks. But this wasn’t his first time trying to write things towards himself. “I tried to write this kind of thing before, I just didn’t know how to, really. I think I tried and recognized, thankfully, that I wasn’t ready. It's like the natural place to have gone, after that first record, was somewhere around ‘ere.”
STAR TREATMENT Opening the album, we have Star Treatment, an almost 6-minute-long track. The track itself beings with the line “I just wanted to be one of The Strokes.” A polarizing opening line for a polarizing album. This lyric was originally meant to be replaced, but Turner kept it in. He was using the “Scrambled Eggs” method for the album. The “Scrambled Eggs” method comes from Paul McCartney where he used “scrambled eggs” as temporary lyrics while writing The Beatles’ song ‘Yesterday’. This just happened to be one of those lines. But he took a liking to it the more time went on. The Strokes of course were a big influence on the band, they were even coined “The British Strokes” upon debut. But truth is, time has passed since then. About 12 years to be exact. “But when I circled back around to it I felt like it was right where it ought to be because of how it makes me think, “Shit. The last 12 years just flashed by.” There’s an honesty and a truth to it.” (Pitchfork) The passage of time is a constant theme within this track, with references to the ‘70s, the ‘80s. This track was the first thing Turner had written for the album. It came about during the last run of The Last Shadow Puppets (Turner’s side-project with Miles Kane). But this is also the most direct Turner was with himself on the album. Specifically, about songwriting. Lines like “The golden boy’s in bad shape,” refer to the fact he was lost with his songwriting and did not know where to go. But like how the track had started before the album itself had started, there’s a particular line that had existed since 2009. “Here ain’t no place for dolls like you and me,” That was the line. He had tried giving it away to others to put in a track, but no one would take it. So, he saved it because he didn’t have “follow up” per say yet but found it within this track. Another focal point for the track is the lounge singer and his backing band. This lounge singer theme can be seen through, but this is where it starts. This is where the lounge singer gets the name for his band. “I think I like the idea that there would be a longue singer sat at a bar, overhearing somebody being cut off from having another martini and hearing them say “Who are you to cut me off? The martini police?” and then this lounge singer thinking “That would be a good name for my backing band.”” (Radio X) But this track serving as the opening track overall sets a tone for the album. Upon sharing the music with others, they decided this would be the best place to start the album, a way to get people to hear it first and foremost. The other way to do this would have been releasing it as a single. But they took what can be seen a controversial move in this era of streaming and singles being more prominent than albums to release no singles. Like how this track led to Turner writing the rest of the album, it leads you, the listener, into the rest of the album. ONE POINT PERSPECTIVE One Point Perspective is the shortest track on the album, but it does pack quite a bit of a punch. With the title coming from a filming style, specifically one used a lot by Stanley Kubrick, a main influence on the album, we dig a bit more into the sci-fi roots. The track itself focuses on conversations, dreams, and how they are often interrupted. “It was informed perhaps by conversations I may have heard or been involved with. Under the influence of some narcotic draft or another. And fragments of those things are appearing the lyrics on this tune.” (Radio X) The track also focuses briefly on a made-up documentary called “Singsong ‘Round the Money Tree”. “I think specifically in the case of this documentary, there was something else there. And it came from the “If I’m gonna end up singing to a quiet room, like what comes before that.” Perhaps someone had told me they’d been singing along to a score or something.” (Radio X) Of course this brings us to the quiet rooms. What exactly are the quiet rooms? Well they’re exactly what they sound like, literal quiet rooms. But they also refer to isolation experienced by Turner while recording the album. With the vocal takes, especially the early tape ones, it would just be him, alone in the Lunar Surface with his eight-track. Of course, there’s also the line “Bear with me, man, I lost my train of thought.” This one is followed by a pause in the vocals and is usually played up for the live shows, but it represents that spot in a conversation where you really do lose your train of thought. Maybe it’s your mind wandering, maybe it’s that you are being interrupted and then trying to resume what you were talking about but forgot. But, it’s a universal feeling that ties together this track. AMERICAN SPORTS American Sports is an interesting track. Not just musically, but lyrically. Music wise an organ plays a main part in the track. The organ though was strangely organized upon recording. With Turner doing one bar, recording it, stopping, doing another bar. Eventually in later recording sessions they attempted to play it all together but just could not get the same effect/sound as the one from the eight-track tape, so they stuck with that. The vocals were also from the eight-track tape. Lyrical wise the track was pulled together by a line given to Turner from his grandfather. “I visited me Granddad one day and he said to me, ‘You know, I often think of phrases even there that I think you might be able to do something with.’ And I sort of went ‘All right.’ He likes to watch the horse-racing, and he began to tell me that whenever there’s what’s called a ‘steward’s inquiry,’- All you ever hear back after the steward’s inquiry is the phrase ‘the trainer's explanation was accepted by the steward.’ Which, as he said it I just thought was loaded.” (iHeart) This was what sparked the rest of the track. But there’s one question left, what the fuck is Lola? Well, a Lola is his writer’s block. Seen within the chorus with the line “And I never thought, not in a million years, that I’d meet so many Lolas.” He gives the writer’s block a bit of a personification. The track also gives us more callbacks to technology, another overlapping theme within the album. The narrator describes a video call with God, and a virtual reality mask stuck on ‘Parliament Brawl’. The parliament brawl also allows this track to get a little political. This can be seen heavily within the first line of the second verse, “Breaking news, they take the truth and make it fluid,” mostly referring to the phenomena of ‘Fake News’. Overall, the track makes for an interesting take combining writer’s block, political problems, and technology. TRANQUILITY BASE HOTEL + CASINO The title track serves as the fourth track to the album. Opening with imagery of Jesus in a day spa. But the track itself is built upon the idea of the character Mark. Mark of course is a character in the track who answers phones, mostly stating the name of the hotel and casino while asking where he can direct your call. First Turner pictured Mark at this phone, then he pictured where the phone was after that. This led of course to the album title, but it also leads back into the track itself. This of course is played off well in the video, but we’ll get to that in a bit. As the track builds you a bit more of this world of the hotel and casino on the moon, it also leads to some interesting lines. One in particular being “Kiss me underneath the moon’s sideboob.” Question of the year being, what the fuck is the moon’s sideboob? Well, the term was coined by guitarist Jamie Cook. “There was a really thin crescent moon in the sky, which Jamie from the band described as the moon's sideboob and I thought that was like quite profound.” (Studio Brussel) Another odd line within the track is “Technological advances really bloody get me in the mood”, this is a bit of a satire. But is also a slight observation. This observation being that technology sometimes changes society, especially when advances are made. These changes can be reflected in the way we talk to others, the way we act, and many other aspects of our life that we may not fully realize at first. For the record though, technological advances do not turn him on. Onto the video, this was the second single from the album, and the second video. The video was released on the 23rd of July. Directed by Ben Chappell and Aaron Brown, the video continues an overlapping Kubrick inspired theme. Unfortunately, Turner is the only one from the band who fully makes an appearance in the video. The others are briefly shown through footage from their BCC Maida Vale Studios session appearing on displays though out the “sets”. Throughout this video there’s sections where the track and video break a bit for some flashing red lights followed by some “doots” taking over the audio, like the Four Out of Five video. The video was filmed at the Peppermill Reno, a hotel and casino within Las Vegas, Nevada. The Peppermill Reno were nice enough to write a blog post about the video breaking down the locations of the video. The video took two days of film to shoot within the area. The first location they filmed at was the Fireside Longue. This is the first time Turner, playing out the character of Mark, is handed a phone. The phone was handed to him by a worker from the Café Milano within the hotel and casino. Two different suites are featured throughout the video. The first being the Safari Adventure Suite. This is home to many of the hot tub scenes. The other being the Roman Opulence suite, this was the all gold room. There’s also the elevator shots that came from the 17th floor elevators. The wandering around the hotel and casino shots, mostly shot within the cube bar and the island buffet. And some phone call answering with the Tuscany Tower’s courtesy phone. There’s one other particular phone scene within this video I decided to save for last due the fact that it is going to come up a bit later. The second phone call is answered within a replica of the 1966 Batmobile via the Batphone. This serves as a nice callback to one of the later tracks on the album titled, Batphone. During these shots he also is fake driving with a projected image of a tunnel in the background, this also comes up in the Four Out of Five video, but we’ll get into that on that track. GOLDEN TRUNKS Believe it or not this the “love song” on the album. Yeah. The track is described by Turner as being a conversation between him and an unnamed female character he is falling for. But that all gets overshadowed by the semi-titular line, “The leader of the free world, reminds you of a wrestler wearing tight golden trunks.” The line does steal the show for being out there in a sense. The beginning of the line is a bit cumbersome to say the least, but it is almost melodic in another sense via the delivery. But this overall is just another part of the conversation with this female character. It may even be part of her imagination, you know, something she’s saying. Almost giving us a retrospective into her thoughts, feelings, and sense of humor. This all leads towards the bridge of the track. “Bendable figures with a fresh new pack of lies, Summat else to publicise, I'm sure you've heard about enough.” Almost showing us how fast the conversation is moving along. But also showing that you get to a point where you don’t know what to believe in the conversation or really what to believe in the track. The bridge also brings another interesting point forward. The words in particular, ‘Bendable Figures’ was almost the track’s title. “Which was because, someone got me a toy Batmobile, and it came with bendable figures of Batman and Robin, I assume, among others possibly. I’ve made a bit of a name for me since, and I mean, I am a fan of the old Batman book. I remember looking at this box and on the box it said ‘bendable figures’ and I don’t know. The news might have been on in the background, and here we are.” (iHeart) Another interesting point of the track is how straight the narrator and this female character are with each other. They both are basically telling each other that they fantasize about each other. She says it by whispering in his ear, he says it by responding to her straightly. FOUR OUT OF FIVE Another track with an interesting open, this one was originally different lyric-wise. Originally the words were ‘Karaoke and raspberry beret, in imaginative ways, and I get signed right then and there by a hotshot executive / I wasn’t expecting it that easy.’ Quite a departure from the final version that appears on the track. Four Out of Five served as the first single to the album. The track describes a taqueria on the roof the Tranquility Base Hotel + Casino, and more particularly how it is boasting four stars out of five. Mostly just how perfect scores are unattainable so a four of five is great enough, “Because the people that are in charge of giving the scores, they never give a perfect hundred.” (Beats 1) The taqueria itself is named “The Information-Action Ratio” this comes from Neil Postman's book ‘Amusing Ourselves to Death’. “I was attracted to the idea as soon as I heard that phrase; even though it was in this book from  it still seemed relevant—more relevant than it probably was when the guy made it up.” (Pitchfork) The phrase itself explains that we don’t need the vast amount of information we receive and that we don’t do much about this information. But it’s a great name for a taqueria on the roof of a hotel and casino on the moon. The track itself also gives us more of the story about the hotel itself. Mostly its location, other than the moon itself. We learn that the entire moon is getting gentrified due to an exodus. There’s also a really cool play musically where the last chorus literally is lifted up another semitone after it’s said at the end of the bridge. Onto the video for this one, the Kubrick fantasy filming begins here. Directed by Ben Chappell and Aaron Brown, the video was released on the 13th of May. The video was filmed at the Castle Howard in Yorkshire and the Munich Marienplatz station in Munich, Germany. The video starts with Turner playing a piano but then stopping to go look at the model of the hotel and casino. Throughout this video there’s sections where the track and video break a bit for some flashing red lights followed by some “doots” taking over the audio. Then, the video sees Turner taking the role of a director for some “Video Lifestyle Packages” for the hotel and casino. But it also gives us two different Turners. One with a beard, one without. The two doing seemingly parallel tasks within different areas. The other band members are also seen within the video, mostly jamming out. Especially with the nice little jam session with beardless Turner in the end. Due to the fact there’s two seemingly different Turners this has led to fan theories surrounding the video. Some stating that maybe the hotel and casino is some cover up for a mental hospital, another stating that maybe it’s both sides of his life (regulaprofessional). Assistants are also seen throughout the video setting up sets and other things, almost as if this was a film set. There’s also one scene in particular I’d like to touch on, the car scenes. This one is a bit important because it almost calls back the “haunt you via the rear-view mirror” line from Star Treatment. This scene was originally intended to be used in a video for Star Treatment, but they used it here instead. Overall, the video a bit of a visual treat with its cues from Stanley Kubrick and was more than a fitting visual return for Arctic Monkeys going into this era. THE WORLD’S FIRST EVER MONSTER TRUCK FRONT FLIP Yeah that’s a title to get your attention. The title comes from the actual event of the world’s first ever monster truck front flip. This was something that had caught Turner’s interest and will probably catch yours too upon just reading it. Sure, he may have only watched the video once, but the headline itself was what caught his attention. Later on, he used it create the base for what he was imagining with the track. “I think I imagined a sort of old presidents’ men style news room with just enough men in there. And sorta trying to get the editors attention like “You'll never believe it, somebody's done it forwards” and I think going off in my mind, perhaps and I thought, I don't know... It seems like that's where were at now innit, that sort of things are happening." (Radio X) The track itself lyrically describes TECHNOLOGY. More specifically, how people love their devices. “You push the button and we’ll do the rest” a repeating line that refers to how we’ve gotten so far that you can just push a button, and something will happen. Whether it be something within an app or data storage. Data storage is another important theme within the track. Our data is being stored everywhere. The track uses the data storage as a metaphor in many ways, with things like someone trying to breach into it. But overall the track itself just shows us how technology is changing us, references to technology changing us lie throughout. But we also see a bit of a jab at how no one wants to explain what the technology is exactly doing, “There are things that I just cannot explain to you, and those that I hope I don’t ever have to.” This wraps everything back around because it ties into the theme of just pushing a button and having everything done for us. We don’t see the background process, we don’t know what exactly they do, we just know that we can push a button and it will be done. SCIENCE FICTION True to the title, the track explores the themes of Science Fiction. Science Fiction is the “lobby model” of the album, as in it brings it all together. The track started with the idea of exploring Sci-Fi further and exploring worlds created from this, same with the album. One of the things in particular that sparked this was the Fassbinder film ‘World on a Wire’. Sci-Fi takes these themes and attempts to connect them to the real world and even Tranquility Base. Continuing the overarching theme of technology, this one takes the focus on how we’re viewing society due to technology, again. Making light touches on religion, we can see how in this “area” per say, science has won. But we also see how it feels like Sci-Fi is taking over in the form of a reality that feels strange and almost fictional at points. Technology keeps becoming a bigger part of our lives to the point where it almost disconnects us in a way. The narrator in this track wants to avoid that, he wants to stay within the life of his love. But it’s hard with things changing so much and society also changing. He states that he wants to make a “simple point” about peace and love but not too obviously. And this track almost feels like that point. But then it takes a bit of a turn at the end. We see the narrator take this back a bit and Turner begin to doubt if he’s wandering on too much with the track itself. “So, I tried to write a song to make you blush. But I’ve a feeling that the whole thing, may well just end up too clever for its own good.” Describing it as too clever shows that he feels like he’s overthinking it all. With a track with an almost double meaning like this it is a bit easy to understand why it may be “too clever”. SHE LOOKS LIKE FUN Ah yes, the rock and roll song of the record. Or well, the rock and roll without the roll. IT’S ALL ROCK MUSIC TO ALEX TURNER DAMMIT. This track has been described as frenzy but controlled. The structure of the track itself reflects that, “It goes like 3 verses in this tune before anything else changes. And I think like by that third one you get this sense of like you shouldn't be doing it again, it's time to move somewhere else. And eventually it does happen.” (Radio X) The main idea for this track came from the fact we almost create these “characters” within the virtual world. You know, your online presence through social media. The title itself is refrained throughout the track as the chorus and refers to how we just look a photo and decide what people are like. In this case the female titular character of the track is described to look like “fun”. Furthermore, this is joined but what may seem to be a non-sensical string of words. But, it’s meant to represent scrolling through a social feed like Instagram. “As far as the “cheeseburger” line, I was actually watching an episode of the show “High Maintenance,” and there’s a part where the person’s taking their picture with a cheeseburger and posting it and all this.” (Pitchfork) The verses focus more on the internet culture and the behavior of those within. Whether this behavior be something like a VR experience of New Year’s Eve at Bruce Wayne’s Manor or being a dickhead to someone. It’s about how we can almost do whatever we want with almost no restrictions in this virtual landscape. The bridge brings it to a point where we realize, it almost feels like everything is online nowadays. This follows by some lines of Turner criticizing himself for constantly talking about marital arts to people in bars. This mostly draws from Turner’s frequent kickboxing sessions. “Maybe sometimes I put stuff into a song to stop myself from doing it - I think I’m just realising that’s true. Like there’s a line in the middle of She Looks Like Fun about waffling on to strangers about martial arts in bars, and that was definitely something I was doing a lot of and was aware I needed to stop doing.” (Mojo Magazine) Also this marks the second time within the album where he says something regarding the music and it happens. This time being in the form of a key change. The last chorus features a key change that is in time with him stating it in the track. BATPHONE The all mighty Batman comes into a focus theme upon this track! Okay... Barely. A “Batphone” in the sense of this track is a direct line to Turner via his phone. The track deals with analysis and criticism of technology all at once. Opening on Turner realizing that he can just use a search engine to find a more interesting word to describe what he’s trying to say. Which, it wasn’t always like this, there was a time where you’d have to go through whole thesauruses to find this interesting words or phrases. Now they’re just a click/tap/touch away. Moving along we see that the narrator in the track specifically is of high class, stating that there’s much to discuss over a game of golf. Of course, that is phrased better within the track itself but for simplicities sake I’m just going to leave it at that. Then he gets into the fact life is a “spectator sport”. Through social media we sit and watch other people’s lives unfold like watching a sport almost. Then we get to a line that may seem more polarizing that it is. “I launch my fragrance called ‘Integrity’ I sell the fact that I can’t be bought.” Upon hearing this line for the first time you may think “What the fuck kind of pretentious bullshit is this trying to be?” Well, that’s exactly where you’re wrong. The idea of a fragrance called ‘Integrity’ is literally just that. “With something like that, I can’t sit here and tell you I wanted to make some comment about integrity and my relationship to it, and then make a fucking perfume out of it and write a smart-ass line like that. It’s more like I see the shape of the letters of “integrity” on the perfume bottle in my mind’s eye—once you know what that font looks like, then it writes itself after that.” (Pitchfork) Yeah, the line came from the visualization of perfume literally called ‘Integrity’. (Which, hilariously, there is one now called that.) Back to the lyrics, we see Turner talk about how he got “sucked into a hole” through a handheld device, this means his phone. Of course, we do all get a bit sucked into our phones now and again. It happens. And now it’s easier than ever. This being due to things like updates to make it easier to access things. The glow of the low beams within this track may be the car lights of your lover. But we do know that he will be by the Batphone if you need to get a hold of him at all. With our phones so close to us at all times, it’s almost like we all have personal Batphones. Then we get into how phones have changed over time. Coining them as “re-decorated” with new lights and sidebars upon them changing. Back the chorus again we see Turner sitting in his living room, with blinds closed, watching the lights of cars going by, but knowing that he'd know those of the car of his lover. Ending upon the panoramic windows again. These are said to be “looking out across your soul”, this is simply just our phone screens. They’re glass, windows are glass. But we look and see things on display including our souls, you know, our lives. Thus, making your soul being put on display through these “windows”. Sure, it’s not just your own soul, there are other people in this world, but it’s important you know that it is yours first and foremost on display. Always remember, whatever you put online, others will see. THE ULTRACHEESE Our closing track is a something that could be called Turner’s “Default Position” at this rate. But that does not mean it’s a bad thing. This track in particular is one where we see the Pet Sounds influenced recording style come to life, with multiple drum kits, multiple guitars, and pianos within the recording. The track sees Turner reflect on his past and how things have changed overtime. The title comes from the fact that the track may be a bit too “Cheesy” for everyone except himself. Songwriting of course has changed over time the most for him, upon talking about old tracks he stated, “It feels like we’re doing a cover or something when we play the first album, really, but that’s fine. I don’t hate doing that. It’s just come to the point where I play ‘Mardy Bum’ or something like that and it doesn’t even feel like mine anymore.” (BeatRoute) He feels disconnected from his old lyrics, which is sad but true statement. Of course, this track also touches quickly upon the themes of technology and politics throughout the track. But overall, it’s more just a personal reflection upon everything. Turner even describes himself as not being deep in thought, even if it looks like he was. He’s just living his life, good or bad, it’s just how everything is going down. The track ends the album on the line “I’ve done some things that I shouldn’t have done, but I haven’t stopped loving you once.” We all have things we regret in our lives. Sometimes that shit gets us out of nowhere and ends up on our minds. But we also see Turner telling his lover that he just loves them throughout it. Throughout all the good, the bad, the dirty bullshit, he still loves them.
THE B-SIDE (Anyways)
Yeah I was not finishing this without talking about the B-Side that was released with the title track on the 7” single. The B-side is titled ‘Anyways’ and was cut from the album. “I had a song that didn’t make this record with lyrics that mentioned both Bing Crosby and Randy Newman. And I just thought, You can’t do that. You can have one or the other. Just fucking calm down! You don’t want to make a song too lumpy.” (Vulture) Anyways here means the topic of a conversation and trying to change it. The narrator keeps trying to change the conversation. This can be seen throughout the track with a change in subject seemingly every few lines. One minute talking about toga parties, the next asking about if Mum and Dad are doing well. It’s just topic after topic in this “race” to Anyways. Technology appears again, with a quick mention of oversharing, something that is prevalent throughout the world of social media. Going back the Four Out of Five video from earlier we have a quick mention of a double life. This of course being the public/personal personas or home/professional personas. Much of the rest of the track just shows Turner bearing his all out there for everyone to see and making light of this. “You sort of reveal a piece of something as you’re writing and recording it. Then you find what you’re attracted to, scribble away a bit more of the dust and discover a bit more of the picture. Gradually, it becomes what it is. Each time you reveal another bit of it, it commits you to take the next step.” (BeatRoute) Some argue that this would have made a more “fitting” close for the album than The Ultracheese, other argue that it could have fit in literally anywhere on the album. Overall, I’m just glad it did get released it in the end.
REFLECTIONS IN THE SILVER SCREEN (An Outro)
I first listened to the album when it leaked. Shit on me all you want but I was just so curious. The whole no singles thing intrigued me alongside the sci-fi theme. I was looking for something different and I found it with this album. At the time did I know this was going to be my album of the year? No. Fuck, I barely knew anything about AM at the time apart from Do I Wanna Know?. I coined it as something along the lines of “What Death of A Bachelor could should been.” Turner constantly describes this album as one where he wanted to take people to a place, to this imaginary hotel and casino, and I was taken there upon first listen. I felt like I was sitting, watching a longue singer belt out tunes about his life. Of course, now on the right night I can recreate that feeling, but not always. But the album has just stuck me. Sure, many upon first hearing it found it off putting, but I loved it since first listen. If anything, this album was what made me a fan. This is what me look at AM and go “There’s something here I was missing.” Sure, it did take me months to act upon that, but I’m glad I did. Do I know where AM are going to go next? No. I don’t think any of us really do anymore. This album proved how unpredictable it is to calculate Arctic Monkeys in a way. Maybe the next record will be guitar based again, maybe not. We’ll only know when it comes, no matter how far away that is.
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WAYNE ALLYN ROOT=> The Vegas Massacre Exposé: What Really Happened?
What Really Happened in Vegas on October 1st? Was ISIS involved? By Wayne Allyn Root The Vegas Massacre is clearly the new “JFK Murder Conspiracy” updated for the 21st century. The whole story stinks to high heaven. It’s rancid. Clearly, our own government, FBI and Las Vegas police are involved in some sort of cover-up. The question is- what are they covering up? Las Vegas is my home. I have the top radio talk show in this town. Many dozens of Vegas residents have gotten in touch with me to give me their take on the Vegas Massacre. Included in that group has been MGM employees, top MGM executives, survivors of the worst mass shooting in US history, as well as law enforcement and retired homicide detectives. From my own gut instincts, investigation and these interviews with key players, I’ve pieced together this story. It’s not a pretty picture. Like any good detective, I have lots of working theories. A good detective doesn’t rule anything out. Maybe it really is as simple and clean as “Stephen Paddock did it, case closed.” But there are way too many unanswered questions, problems and mysteries with that storyline. So here are my “Top 20” nagging questions, inconsistencies and theories about the Vegas Massacre… #1) RAMBO. How did an overweight, out of shape, 60-year old, anonymous guy (on no one’s radar) with no military training and no military or law enforcement history become Rambo overnight? He carried out this plot with no help? Got hundreds of pounds of weapons to his room? He broke open a hurricane-strength 800- pound window? Set up sniper-type guns? Pulled off worst mass shooting in America’s history with no training, no help? Even though the one over-riding theme of every survivowitness I’ve spoken to, or heard from is…they saw or heard multiple shooters. Yet the FBI and Vegas police immediately discounted this theory. Why? #2) The Constantly Changing Timeline. Did guard Jesus Campos arrive before the shooting started, or after, or during? Why has the story changed so many times? Why can’t anyone get it straight? It’s telling how authorities finally settled on the one timeline most beneficial to MGM- the single biggest employer in a “company town” called Las Vegas. More on this under the Jesus Campos storyline. #3) The Police Homicide Division isn’t Investigating the worst mass shooting in U.S. history? FACT. I had guest on my Vegas radio show from a recently retired Vegas homicide detective. The detective reported that the Vegas Sheriff did NOT give the case to a division of 30+ experienced Vegas homicide detectives who deal with murder all day, every day. He gave the case to a short-handed division of Internal Affairs that investigates police officer’s accidental discharge of a weapon. Huh? The Sheriff gave the worst mass shooting in US history to a small division of five cops who have never investigated a homicide? Why? #4) The Vegas Sheriff. Sheriff Joe Lombardo. In the interests of full disclosure, I was a fan. I supported the Sheriff in his election. I feel he is in very tough position here. MGM is biggest employer in this town and a huge donor to his past and future campaigns. During press conferences, it’s clear Sheriff Lombardo is under restraint in what he can and cannot say. The Las Vegas FBI bureau chief stands right behind him in every press conference with a look that could kill. The FBI clearly doesn’t want Sheriff Lombardi to reveal much. Why? Since literally every Vegas Sheriff in history retires and goes to work as head of security for a large Vegas hotel for $250,000 per year (like MGM), and Vegas is a company town with MGM being the leading employer, and billions of dollars are on the line due to liability, insurance and tourism issues, it’s easy to see why the Vegas Sheriff is in tough spot. This might well explain the lack of information forthcoming from the LVMPD (Las Vegas Metropolitan Police Department). Everyone involved is in a difficult spot. #5) Where’s the video? Vegas has video cameras everywhere. After NYC terror attacks we had videos on TV within hours. In this case…in hotels covered by hundreds of videos…6 months later we’ve never seen one video of the killer walking through the hotel. Why? #6) The girlfriend. Marilou Danley just happened to fly to Philippines a few days before her boyfriend carried out worst mass shooting in US history? Really? Great timing for her. And she just happens to admit her fingerprints could be on the ammo? And she just happened to erase her Facebook profile within an hour of the shooting…even though no one had released the name of Stephen Paddock in the media. How did she know it was him? How did she know to erase her FB page? Oh, and the Philippines just happens to be a ISIS Islamic terror hotspot. And Paddock just happened to wire her $100,000 in the Philippines days before the massacre. And Paddock just happened to have child porn on his computer. And ISIS is known to make money through child sex trafficking and child slavery. More on this “child porn” connection later. #7) Money laundering. Paddock had no obvious huge income stream. Paddock himself bragged that he was “one of the biggest High Roller video poker players in America.” Really? He lived in a $300,000 home in Mesquite, Nevada. That’s as middle class as you get. No one in his neighborhood could afford to gamble millions of dollars on video poker. Sounds a lot like money laundering to me. What better way to mask money laundering than running millions through a Vegas casino. Who money launders? Terror groups like ISIS. #8) Rich or “Heavily in Debt?” First, we were told by the media that Paddock was “rich” and “a huge High Roller.” Of late, the Vegas Sheriff changed the story to “he was heavily in debt and may have had a grudge against casino for heavy losses.” Which one is it? Why does the story keep changing? Paddock left an estate of about $5 million. Why would he be angry at MGM over a few losses in the past year? How was his $5 million fortune earned? Money laundering still fits the puzzle. Perhaps he made partners along the way with ISIS? #9) Paddock Paid Off His Marker? This has NEVER been mentioned in the media once. I got this inside scoop directly from Paddock’s longtime Mandalay Bay casino host. Paddock owed MGM $100,000. On Friday night before the massacre Paddock won $100,000 playing video poker. If he was planning to die on Sunday he certainly would have blown it on hookers and cocaine. Or bought a Maserati and had it shipped to his girlfriend. Or gambled even higher amounts with the $100,000. But that’s not what Paddock did. Instead he took the $100K and paid off his $100K MGM marker. He paid off his debt in full? Why would a crazed killer do something so responsible? Why would a suicidal man do that? He wouldn’t. This was a man expecting to come back to MGM to enjoy many future free High Roller suites (provided by MGM). He clearly wanted MGM to keep giving him VIP treatment. This was not a man planning on mass murder and suicide within 48 hours. #10) Child porn. Police say they found child porn on Paddock’s computer. But it was announced after the shooting, Paddock’s hard drive was gone. Removed from his computer. Nowhere to be found. So how did police find child porn? Not one journalist questioned this development. No one ever asked, “Did the hard drive miraculous re-appear?” Police never said a thing. First it was gone. Then they found child porn. Strange. But if in fact child porn was found (on another computer removed from his home, or office) wouldn’t it make sense to investigate the connection to ISIS and the Philippines, where child sex trafficking is a primary mode of funding for Islamic terror groups? #11) Every single witness from that concert that I spoke to, or heard, claimed there were multiple shooters. Some swore they saw multiple shooters. Some say they were being fired at from different directions and levels. Yet police and FBI have ruled that out. So, all the witnesses are wrong? #12) Jesus Campos. The “hero” security guard. Did he show up before…during…or after the massacre? His timeline changed multiple times. Why? MGM coaching him on timeline to make their liability less severe? Why would the ONLY witness to worst mass shooting in US history be allowed to leave the country days later? Worse, HOW did he drive many hours to Mexico with a bullet hole in his leg…only days after being seriously wounded? He needed a cane to appear on “Ellen” a month later. Yet he was fine 3 days after being shot? Does any of this make sense? The amazing thing never mentioned by mainstream media was Ellen is not only a comedian, but she has multi-million-dollar partnership with MGM, with Ellen themed slot machines. So the only witness to the worst mass shooting in US history gave exactly one interview EVER. Ellen herself announced it would be his only interview ever. Yet it was arranged to be given exclusively to a comedian who is partners with MGM? Where has Jesus disappeared to since? Never seen again? Is he living in a penthouse of a MGM property somewhere in world with millions in bank, courtesy of MGM? FBI and police don’t find this odd? Top security execs at MGM called my radio show. All of them said they never heard the name Jesus Campos in their lives before the shooting. How is this possible? Was he even registered as a security guard with State of Nevada? Or with MGM? Friends of mine got into the MGM database and Campos name either was never there, or it was scrubbed from the system. Why? An investigative reporter friend of mine reports Campos name was never in the state of Nevada system. #13) Terrible & faulty security at MGM. I have written about this storyline in my Las Vegas newspaper column multiple times. Dozens of MGM employees have called my radio show, or emailed me, to tell me how terrible security was at all MGM properties. My newspaper columns lay out a condemnation of MGM and their pathetic CEO Jim Murren. See: https://www.reviewjournal.com/opinion/opinion-columns/wayne-allyn-root/commentary-guards-paint-an-eye-opening-picture-of-mgm-security-policies/ Murren slashed the budget for security…fired experienced guards…hired part time guys with no experience our training…he made the properties a gun free zone…had inferior walkie-talkies with dead zones all over the hotel…employees had no crisis training…no one was prepared…MGM had no rapid response SWAT team…Mandalay Bay changed guards at the exact same time each night: 10 PM- which is why the shooting started at that time when security was most disorganized…and worst of all…MGM let High Rollers use freight elevators with no security present, or questions asked. MGM guards called me to say they could NEVER question High Rollers about anything, or they’d be fired. So, no one ever asked Paddock a thing. Amazingly, nothing has changed. Today, months later, my spies report they got on a Mandalay Bay freight elevator and went up to infamous 32nd floor. No one stopped them. No one asked them a question. CEO Jim Murren is a pathetic, bleeding-heart, liberal who believes in donating MGM shareholder money to organizations like CAIR (called a Muslim terror front for Hamas by even Democrat US Senator Chuck Schumer) and The Southern Poverty Law Center (who puts Christians on “Hate Lists”). See two of my columns about MGM CEO Murren: COMMENTARY: MGM’s CEO risks angering many of his customers COMMENTARY: Sun publisher’s defense of Jim Murren comes up woefully short Murren should certainly be under scrutiny for his incompetence and lack of proper security at Mandalay Bay, yet the liberal-biased mainstream media has protected him. They’ve never aimed the cannon at him once. Why? Are liberals protecting a “fellow traveler?” #14) The mysterious stock sales patterns of Jim Murren and top MGM execs and Board of Directors in the days before the Vegas Massacre. See: COMMENTARY: More questions surrounding the Las Vegas Strip shooting Why hasn’t media reported this? Is anyone aware by pure chance/coincidence the CEO of MGM sold most of his MGM shares in the weeks leading up to the massacre…and so did his top executives and some of his top Board members. How strange is that timing? When does this EVER happen at a public company? I’ve never heard of a CEO of a public company selling off every share in his own company. What a complete lack of confidence. Does anyone think this is strange? Has anyone in the media ever asked the CEO about this? His eye was certainly not on the ball. Knowing all of this, it’s certainly not surprising that Paddock (or his partners in crime) chose a MGM property for the site of The Vegas Massacre. Why has his MGM Board kept him employed? He’s a CEO that sold most of his stock, then presided over the worst terror attack in US history. These issues don’t concern the MGM Board? Bizarre. #15) ISIS. Here’s the BILLION DOLLAR question no one wants to discuss. Why? Did the FBI miss an obvious sign again? Does MGM have serious insurance issues if this attack is declared “terrorism”? Is Las Vegas worried about tying ISIS to Vegas and hurting tourism? Yet the signs were clear that there could be a connection to ISIS from the start. First, ISIS promised in a video (covered in blood) in the Spring of 2017 to attack Vegas. See: http://www.nydailynews.com/news/politics/isis-video-featuring-las-vegas-strip-viewed-credible-threat-article-1.3196042 Second, the Vegas Massacre had the M/O of several previous ISIS attacks. They seem to enjoy attacking concerts and hotels. See the Paris nightclub concert and Manchester Arianna Grande concert. Not to mention numerous hotels attacks throughout the world. But this never occurred to the FBI? And Paddock (or his partners in crime) just happened to pick a country music concert? A place filled with people hated by ISIS or any Islamic extremist group- whites, Christians, Trump-loving conservatives. Coincidence? But this never occurred to the FBI? Third, then ISIS took credit 4 times for the Vegas massacre. Never before in history has ISIS ever taken credit four times for any terror attack. The FBI immediately announced ISIS wasn’t involved. How strange is that? ISIS promised to attack Vegas. A hotel and concert was attacked. ISIS claimed credit four times. The FBI took five minutes to rule them out as suspects. The Islamic terror experts I interviewed on my radio show- to a man- all believed this had at least some Islamic terror fingerprints on it…all believed ISIS has to be (at the very least) a leading suspect… and all agreed ISIS does NOT have a history of taking credit for attacks they aren’t involved in. The ISIS experts I interviewed reported a false claim by ISIS only happened once- at a Philippines casino. And even that attack is in dispute. The Philippines government calls it a robbery. Many terror experts believe it was clearly ISIS coordinated. In history, ISIS has never taken credit for any attack four times. Still the FBI ruled them out almost instantly. Why? #16) Did CEO Murren & MGM pay for a terrorism insurance rider? This is just an educated guess. I called several insurance experts. All reported that typical insurance policies for billion dollar hotels don’t pay off for terror attacks. The company needs to purchase an expensive additional insurance rider specifically for terrorism. Yet MGM executives who have called me all claim that Murren is cheap and focused 24/7 on cutting costs. If MGM had no insurance rider for terrorism, they desperately need this attack to be classified as “murder by a madman” versus “terrorist attack.” It’s the difference between collecting a billion dollars (or more) from insurance…or nothing. Zero. Zip. Nada. This could be why police, FBI, MGM and everyone involved is so desperate to not mention terrorism. MGM is the world’s leading gaming company. Billions of dollars of stock investors, thousands of jobs and the economy of Las Vegas are all effected by the classification of this attack. I made this guess publicly for the first time on my radio show when interviewing an attorney representing 50 of the survivors. He was in Vegas that day for a meeting of all the attorneys from across the country involved in this case. He was shocked at my educated guess. He stated live on the radio that this was exactly what his fellow attorneys suspect. #17) The autopsies. The Las Vegas coroner refused to release the autopsies. The media had to sue to get information released. The media won and the Nevada Supreme Court ruled the information had to be released to the public. See: Nevada Supreme Court overturns Las Vegas shooting autopsies ruling Yet at that point, the Vegas police demanded $500,000 to release mountains of their info on the Vegas Massacre to the media. Once again, a Nevada judge had to rule they have no right to do that. See: https://legalinsurrection.com/2018/03/judge-rules-police-cant-charge-media-huge-fees-for-vegas-massacre-information/ Strange. Why are Vegas authorities so desperate to not release information on the Vegas Massacre to the public? #18) Trump. There is no biggest supporter or defender of President Trump than myself. I think he’s the greatest conservative president in U.S. history. But he’s been strangely silent on this high-profile incident. It’s not just any incident. It’s the worst mass shooting in U.S. history. Even liberal Trump-haters have to agree on these points. President Trump loves controversy. Right? He loves to weigh in on every crisis or controversial issue, right? He doesn’t care if he offends anyone, right? He loves to dominate headlines, right? Don’t all liberals agree about that? But the President has mysteriously steered clear of this story. NEVER a peep from Trump about his theories on The Vegas Massacre. Nothing. Nada. Zero. Crickets. In the almost 6 months since this terrible event, the President has never said a word…no theory…never ventured even a guess. Isn’t that strange? Out of character? #19) To sum it all up… We’re almost at the 6-month mark. And we know as little now as the day after the massacre. How can this be? After every other mass shooting we know everything within hours. With this one, the most-high profile mass shooting in U.S. history, we know NOTHING. Zero. We’re completely in the dark. Don’t you find this strange? But I’m not done yet… I’ve saved the best for last. Drumroll please… #20) Now here’s my biggest theory/mystery of all… The Timeline: A working theory of mine. A highly suspicious/mysterious timeline, almost impossible it could be a coincidence… October 1- Vegas Massacre October 25-29- Just days after Vegas Massacre, President Trump’s son-in- law Jared Kushner makes secret unannounced trip to Saudi Arabia- as per “Politico.” Purpose? As announced by Politico- “President Trump is asking for Saudi Arabia’s help in “combating terror financing.” Media reporting on what they termed a “secret trip.” https://www.politico.com/story/2017/10/29/jared-kushner-saudi-arabia-244291 https://www.washingtonexaminer.com/jared-kushner-took-secret-trip-to-saudi-arabia-report/article/2638933 http://www.newsweek.com/jared-kushner-trump-officials-made-secret-visit-saudi-arabia-695859 November 5- Only days later, the roundup begins by the King of Saudi Arabia and his security forces- they arrest, detain, interrogate and TORTURE over 300 billionaire Saudi Princes. These are the most wealthy and powerful men in Saudi Arabia. Why? Why does this happen only days after a last-minute, secret visit by Trump’s son-in-law with an urgent diplomatic message from President Trump? See media reports: http://www.dailymail.co.uk/news/article-5108651/American-mercenaries-torturing-Saudi-princes.html https://www.globalresearch.ca/american-mercenaries-torturing-saudi-elites-rounded-up-by-crown-prince-blackwater-is-allegedly-involved/5619654 http://www.middleeasteye.net/news/exclusive-senior-figures-tortured-and-beaten-saudi-purge-1489501498 Even more remarkable of a “coincidence”… One specific Saudi prince who was arrested and tortured was Prince Alwaleed bin Talal, who just happens to be the owner of Four Seasons hotel- on the top floors of Mandalay Bay. Read a story on his torture: https://www.zerohedge.com/news/2017-11-23/alwaleed-bin-talal-hung-upside-down-and-beaten-us-mercenaries See CNBC story on the arrest. CNBC compared it to arresting Bill Gates or Warren Buffett in the USA. See: https://www.cnbc.com/2017/11/06/saudi-crackdown-would-be-like-the-us-arresting-warren-buffett.html That specific Prince was then transferred to highest security prison in Saudi Arabia to be tortured. See comments from his business partner Bill Gates about the arrest: https://www.albawaba.com/business/bill-gates-alwaleed-bin-talal-1054336 Civil Rights groups announced to the media how worried they were about the billionaire prince. See: https://www.newsmax.com/newsfront/saudi-arabia-alwaleed-prison-human-rights/2018/01/17/id/837776/ This doesn’t seem more than a little strange? Could the timing of all of this be just a little coincidence? A prince worth $15 to $20 billion…partners with Bill Gates in owning the Las Vegas Four Seasons…just happens to be arrested, tortured and imprisoned in highest security prison in Saudi Arabia? All happening within days after Vegas Massacre, which happened to occur literally on his property (just floors below his hotel). Meanwhile President Trump- who loves chaos, crisis and controversy- is strangely silent. Not one word about the Vegas Massacre in 6 months. All a coincidence? Or was the Vegas Massacre some kind of international incident involving Islamic terror cells either coming from Saudi Arabia…or financed by Saudi billionaire princes sympathetic to the ISIS cause? Were these 300+ arrests of billionaire princes by the new King of Saudi Arabia within days of getting an urgent diplomatic message from President Trump just a coincidence? Or was all of this based on what happened in Vegas? Have I put 2 + 2 together? Certainly, this storyline and timeline is worth exploring and asking questions. The mainstream media has never said a word. Crickets. Asleep at the switch. As wild as all of these questions and scenarios are, they make far more sense than the story we’ve been told by FBI, police and our government. The scenario I’ve laid out makes far more sense than the fact that we know nothing about the worst mass shooting 6 months after the fact. We know nothing about the shooter, or his motive. There are no videos. There was no suicide note. A 60-year old overweight nobody, with no military or law enforcement experience, became Rambo overnight, and without help, pulled off the worst mass shooting in US history? If you believe that story, I have a bridge to sell you in Brooklyn. Was ISIS involved? Did the shooting involve Saudi Arabia, or the financing of some kind of terror cell by radical Saudi princes? Did Paddock act alone? Did MGM have the necessary terrorism insurance rider in place? Who the heck is Jesus Campos? Why is the FBI appear missing in action? Why are Vegas authorities so desperate to keep information out of the public’s hands? These are all questions that need to be asked. The big question is… Why is no one asking them? Wayne Allyn Root is the host of “WAR Now: The Wayne Allyn Root Show” on Newsmax TV, nightly at 8 PM ET, found on DirecTV channel 349, Dish TV channel 216, or at http://www.newsmaxtv.com/Shows/The-Wayne-Allyn-Root-Show He is also a nationally syndicated radio host of “WAR Now: The Wayne Allyn Root Show” found at http://usaradio.com/wayne-allyn-root/ Wayne Allyn Root speaks with Fox News’ Jesse Watters about the Vegas massacre: Watch highlights of Wayne Ally Root Show “WAR Now” on Newsmax TV: http://www.newsmaxtv.com/Shows/The-Wayne-Allyn-Root-Show The post WAYNE ALLYN ROOT=> The Vegas Massacre Exposé: What Really Happened? appeared first on The Gateway Pundit. from The Gateway Pundit http://thegatewaypundit.com/2018/03/wayne-allyn-root-vegas-massacre-expose-really-happened/ via IFTTT
At least 50 dead, more than 200 hurt in Las Vegas shooting - "The death toll, which police emphasized was preliminary and tentative, would make the attack the deadliest mass shooting in U.S. history"
This is the best tl;dr I could make, original reduced by 59%. (I'm a bot)
LAS VEGAS, Nevada - A gunman killed at least 50 people and wounded more than 200 at a country music festival on the Las Vegas Strip on Sunday, raining down rapid fire from the 32nd floor of a hotel for several minutes before he was shot dead by police. The death toll, which police emphasized was preliminary and tentative, would make the attack the deadliest mass shooting in U.S. history, eclipsing last year's massacre of 49 people at an Orlando night club. Video taken of the attack showed panicked crowds fleeing as sustained rapid gunfire ripped through the area. Las Vegas's casinos, nightclubs and shopping draw some 3.5 million visitors from around the world each year and the area was packed with visitors when the shooting broke out shortly after 10 p.m. Mike McGarry, a 53-year-old financial adviser from Philadelphia, said he was at the concert when he heard hundreds of shots ring out. Many casinos in the area locked their doors during the incident to keep out any potential attackers, some using handcuffs to do so, according to witnesses. The rampage was reminiscent of a mass shooting at a Paris rock concert in November 2015 that killed 89 people, part of a coordinated attack by Islamist militants that left 130 dead. The concert venue was in an outdoor area known as Las Vegas Village, across the Strip from the Mandalay Bay and the Luxor hotels.
Nevada state democratic convention, my experience from my point of view.
I would like to now address the blatant corruption that is the democratic national committee, DNC for short. Yesterday, I was in attendance at the Nevada state democratic convention that was gathered at the Paris Hotel & Casino in Las Vegas, along with 3500 other people. I was one of the first Elected delegates to arrive at 5:30 am, and promptly got myself in line. The doors for registration and check-in were set to open at 7:00am. Due to circumstances that seem to always arise, the doors weren't open until 7:30am. Which is a far better situation than 2 hours late, like we had experienced at the Clark county democratic convention in April. Once receiving my credentials and being ushered into the room where the bulk of the convention would be held, I found a seat in my section. We were separated by Delegates in support of Hillary or Sanders, as well as by county/area. The convention wasn't scheduled until 9:00am, so there was a lot of waiting going on as the audio system was pumping out music. Once the convention started, late as usual, The DNC committee woman, Roberta Lange, immediately set the tone for the whole convention. Around the beginning of the convention Roberta was given several petitions addressing different issues, one that included a process in which we readopt "robert's rules." After looking over the petitions she stated that she would not consider any of them until we had 20% of the delegates signatures. Even after acquiring 20% she just ignored all mention of the petitions throughout the entire convention. After receiving the preliminary count at 9:30am (registration doesn't end until 10am) She set forth a motion to accept the temporary rules that had been established, as the permanent rules of the entire convention, instead of Robert's rules (the usual rules). She announced yeas, and then nays, and immediately announced motioned passed, just as the nays began voicing their vote. What this did was allow Roberta Lange to, essentially, make herself the person in charge of every decision, and allow her to ignore the usual point-of-order and dictate the convention. Roberta is an open Hillary supporter and she has on multiple occasions attempted to purge Sanders from even being an option, so this development had Sanders supporters angry. The DNC then issued a motion to accept the preliminary count, but used vague language implying that this count was going to be the permanent one, and it left everyone a bit confused because, according to rumors, there were still 400+ people waiting to check in and receive credentials. Again the motion was passed with little regard to nays in the room and Sanders supporters flooded the area. All attempts to address the crowd were drowned out by boos and chants of "no confidence" (Meaning Sanders supporters could no longer trust Roberta to be a neutral party in this convention.), as well as chants of "point-of-order" (because The DNC was not allowing the nay votes to be heard). Every time anyone tried to speak the crowd over whelmed the sound from the microphone, so the audio team decided the best thing to do was to blare the music louder than the crowd and shut off the lights. Finally the noise died down a bit and a DNC representative was able to state over the Speakers that the count would only be held as a preliminary count, and corrected his terminology. The vote was then cast to accept the numbers as a preliminary count. Over the next few hours we heard different speakers preach a message of unity. Word had been spreading that some delegates were barred from getting credentials and casting their vote. Around 2:30pm the final credential report was given Clinton-1693 and Sanders-1662 as well as 4 unaligned delegates. We were then given a 1 hr break, and realigning period for delegates to switch their affiliation, and for unaligned delegates to declare their affiliation. After the one hour realignment period the totals were given again as Clinton-1695 to Sanders-1662 and 2 still unaligned. They were then given another 30 minutes to realign. After which the official final count was given, Clinton-1695 to Sanders-1662 the two unaffiliated who never aligned had their position vacated. There were cheers and boos emanating from both sides. Leslie Sexon was then going to be giving a minority report, but was blocked by Roberta Lange, who had the microphone removed from Sexon. Leslie was being directed off stage, but the crowd began to chant "let her speak" and would not allow the convention to move foward. A DNC representative then came on stage to address the crowd, and he said per the rules Leslie was not allowed to give a report, but he could. So the minority report states that there were 64 delegates that were not allowed to cast their vote because their party affiliation had suddenly and unexpectedly been switched. People who had been vetted at both the district level, and county level conventions were now barred from casting their vote. In total 8 Hillary delegates, and 56 Sanders delegates were denied by the credentials committee from voicing the vote, of themselves and the people who had elected them to be their representative. If they had been allowed to vote the totals would have been Hillary-1703 to Sanders-1718 Shifting Nevada in favor of Sanders. The DNC stated they would look into it, so essentially the fox would be guarding the henhouse. We separated into our respective districts to vote for our executive board members as well as our national delegates who would be representing us in Philadelphia at the national democratic convention in July. Lists were posted online for people who were eligible to run as national delegates, and those lists were then posted up on the big screens before we cast our votes. However, those lists were incomplete and only showed a portion of the names of people running. My name was one of the ones who's name was not displayed on the screen, but my name was posted Online. The delegates were then allowed to give very short speeches to gain votes. I stood in line and waited for them to call my name, but they stopped the speeches with about 10 people in line, myself included. They stated that the people who's name didn't appear were no longer eligible (no other reason given). We argued that it was out right, and the DNC representative stated under his breath, "it doesn't matter, they won't be able to vote for you anyway." I was experiencing first hand what it felt like to have my voice suppressed. I was livid, but kept my composure, gave my speech, and stood at the voting table with my name handwritten on a piece of paper, because they refused to display the entire list up on screen. After that fiasco the different districts were then gathered in the central room again. We addressed the party platform and had an entire section stricken from the platform due to vague language concerning super-delegates. At 9:45 a motion was set forth to remove Roberta Lange. We were told security was standing by to vacate us from the area for running over time (we were scheduled until 8:00, but rumors say we rented the room until midnight). At 9:58 reports of the Police department outside the doors on standby. Between 10:00pm and 10:20 the DNC representative was up on stage talking about the possibility of reconvening the convention the following day. Then one of our Nevada Representative went up on stage to give a speech and called for a recount. Apparently the rules that were passed at the start of the convention allowed the DNC to ignore county and state numbers to use the initial numbers to assign final delegates at the national convention. With a call for a recount it seems it was a hope that the state numbers would be what was applied. So now we have two motions on the table that were being ignored a call to remove Roberta Lange, and a call to recount. With that Roberta Lange got up on stage, and over the cheering Sanders delegates made some very quick unintelligible statements,the first being a denied motion to recount, and the last of which was a call to adjourn, she slammed the Gavel on her podium and stormed off stage with a security detail as she hightailed it out of there. She ignored multiple open motions, and denied, Hillary and Sanders delegates alike, the right to choose and vote for our at-Large delegates. The congressional district national delegates were never announced. The DNC has denied us our right to vote, and has let us down. In a time where people have dwindling faith in the political process, the DNC has put the last nail in the coffin for many Nevada Democrats.
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